Are you nostalgic for Middle-earth and want to find yourself in Gollum's shoes? Then look no further! Enter the world of Frodo with this Lord of the Rings vinyl. Critically acclaimed, and with billions of dollars in profits, The Lord of the Rings remains a classic and a great success, whether in terms of visuals (sets, costumes, special effects, etc.) or music. That's why we decided to create this exclusive vinyl!This 19-track limited-edition "relic", featuring new recordings by the City of Prague Philharmonic Orchestra, brings together the essence of the legendary trilogy for your listening pleasure.

Vinyl LP pressing. Disney Hits, Volume 1 features 15 classic songs from Disney's most beloved films, including "Let It Go" (Frozen), "I Just Can't Wait To Be King" (The Lion King), "We Don't Talk About Bruno" (Encanto), "A Whole New World" (Aladdin), "Part Of Your World" (The Little Mermaid)" and more!

Steel Panther is an American comedic glam metal band from Los Angeles, California. Fronted by lead singer Michael Starr, the band formed in 2000 as Metal Shop and was also known as Metal Skool before adopting the name Steel Panther in 2008. The band is known for it's profane and humorous lyrics, and for parodying the stereotypical glam metal lifestyle. The band released their debut studio album Feel the Steel on June 8, 2009. The tracks "Fat Girl", "Stripper Girl" and "Hell's on Fire" are re-recordings from the band's 2003 EP, Hole Patrol (which was released under their old name Metal Shop) while "Death to All but Metal" is a re-recording from their 2004 contribution to the Metal Sludge compilation, Hey That's What I Call Sludge! Vol. 1. Celebrate the 15th anniversary with this limited-edition purple marble vinyl in entirely new packaging featuring rarely seen photos from the original photoshoot plus bonus two tracks previously only available in Japan: "You Don't Make Me Feel Dumb" and "I Want Your Tits".

After a dominant summer performing across the UK's biggest festivals, Malevolence has proven themselves worthy as the UK's undisputed Kings of Heavy Metal. Operating from their Sheffield-based HQ, a previously derelict warehouse the band transformed themselves, Malevolence handles as much of their in-house operations as they possibly can. Including the formation and operation of Malevolence's own label, MLVLTD Music. Malicious Intent is the band's debut album on Nuclear Blast Records. Silver LP in Gatefold

The debut album from Sweden's Hammerfall. Originally released in 1997, Glory to the Brave has been repressed on a silver LP in a gatefold jacket

Jpegmafia, a trailblazing force in experimental hip hop, releases his latest solo project, I Lay Down My Life for You. This album, his first since 2021, is a complex and innovative work that showcases his meticulous production skills. Featuring collaborations with Denzel Curry, Vince Staples, and Buzzy Lee, the album explores themes like capitalism, conscription, and propaganda through some of Jpegmafia's most anarchic raps to date. The release is accompanied by an extensive global tour, reinforcing his status as one of the genre's most incendiary talents.Since his last solo release, Jpegmafia has continued to push boundaries in the music industry, most notably with his 2023 collaboration with Danny Brown on Scaring the Hoes, which garnered critical acclaim and chart success. With I Lay Down My Life for You, Jpegmafia cements his reputation as a visionary artist, delivering a powerful commentary on the world through his unique lens. The album's release is set to make a significant impact, both in stores and on stages worldwide.

In February 2024, just shy of the tenth anniversary of Alvvays' self-titled debut, it's second song and single, "Archie, Marry Me," reached a rarified threshold for our streaming age-one-hundred million listens through a single platform. For the world's biggest pop stars that's an average achievement, but for an upstart indie rock band then writing in a backroad farmhouse on a Canadian island, it represented a staggering proof of connection and widespread resonance. Makes sense, after all: "Archie, Marry Me" is a softly stinging, pointedly funny portrait of a common end-of-youth predicament-to wed or not to wed, to involve the state and the possibility of financial ruin when you're already saddled with student loans and just trying to survive. Instantly relatable, it is an anthem about prescribed social expectations and delighting, however noncommittally, in outcast status. Now remastered and reissued with deep cut "Underneath Us" to mark a glorious decade of deadpan jangle, Alvvays feels that way from end to end-literally, from the opening stalking-you-with-love anthem "Adult Diversion" to the ennui escapism of sci-fi closer "Red Planet." In a little more than 30 minutes, Alvvays give us a song about loving someone to actual death ("Next of Kin"), how keeping secrets will destroy what you think you want ("The Agency Group"), and another incisive song about the societal demands of love and marriage ("Atop a Cake"). When Molly Rankin, Alec O'Hanley, Kerri MacLellan, and Brian Murphy cut these songs with Chad VanGaalen in 2013, long before they had a record deal, they were, in fact, young adults trying to figure out these encroaching exigencies for themselves. Again, these problems don't age; some of us just happen to be lucky enough to age out of them.Little of this would matter if the songs themselves didn't stick, if the melodies weren't as timeless as the topics. But the tension between Alvvays' shimmer and snap and Rankin's knowingly droll delivery connects these numbers to a brilliant and deep rock continuum, from the glories of C86 and the triumphs of Athens in the '80s to Celtic folk's own magnetic candour. Each of these songs lands several hooks apiece: the sparkling drum-machine drift of "Dives," the noise-caked sway of "The Agency Group," and, of course, the half-diffident and half-confident matrimonial plea of "Archie, Marry Me" and that pearly guitar lick. Ten years ago or ten years from now, here are ten songs to slip in your pocket and pull out when the decisions of the world seem to swirl like the very guitars that shape them.

Free Help is Minnesota trio Heart to Gold's celebration of the titular idea, conceived while broken down on the side of a road in Georgia. Recorded at Will Yip's Studio 4 and releasing on Memory Music, it's an expertly arranged, arena-sized rendering of the group's scrappy, bold guitar rock, a heartening mix of melodic punk, cavernous post-hardcore, and '90s alt-rock. It's the sound and feeling of a band growing into adulthood and maturity-singer Grant Whiteoak's writing is subtle and figurative, a result of deepening introspection spurred by years of touring.Free Help represents a push beyond Heart to Gold's long-time community, and a broadening of the boundaries of the project. The rich, spacious single "Can't Feel Me," released in February, evidenced this new sound and space, and record opener "Surrounded" leaves no room for doubt: This is Heart to Gold operating on a new level. It's a sleek, pit-ready thrasher, tearing at the seams with energy and intention, loaded with melody. There are classic, pedal-to-the-metal bangers, like "Get It Back" and "Blow Up the Spot," alongside the down-tempo drift of "Pandora," and the multi-movement epic "Belonging." Here it is, from Heart to Gold to you: Free Help.

Originally released in 2004, MF Doom's MM.FOOD is hailed as a classic hip-hop album full of inventive production, remarkable wordplay, and unique themes. Celebrated for it's seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world of food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album's subjects. Throughout MM.FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp" is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows it's name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, he uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the self-incrimination and contradictory behaviors of some rappers. Overall, MM.FOOD is both a social commentary and a piece of social satire, showcasing MF Doom's ability to blend serious themes with his unique, playful lyrical style. The 20 Year Anniversary Edition of MM.. FOOD has completely new artwork by Sam Rodriguez and is pressed on 3-color sweetart marble effect double vinyl. The package includes case wrapped tip-on gatefold jacket and a QR code that takes listeners to a one-of-a-kind AR diner.

Before Linkin Park, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what Linkin Park has become over the years, and excited about the journey ahead.

"Brighter days are up ahead," declares Dwight Yoakam on the title track of his new album Brighter Days (Via Records/Thirty Tigers), his first release of new original material in nine years. Written and recorded over the last three years, Brighter Days features 12 brand-new songs written/co-written by Yoakam, as well as two seemingly disparate covers of “Keep On The Sunny Side” by the Carter Family and “Bound Away” by Cake, artfully woven into the same body of work in the unmistakable style that could only be Dwight Yoakam. The infectious lead single “I Don’t Know How To Say Goodbye (Bang Bang Boom Boom),” was written by Yoakam specifically for a collaboration with self-proclaimed Dwight Yoakam superfan, Post Malone. At once timeless and timely, in fact downright cowpunk-tual, Yoakam self-produced Brighter Days, blending a modern reverence for the history of country music with the pioneering rock and roll spirit of California. The result creates a sense of craftsmanship and immediacy that captures the quintessential Dwight Yoakam “cool” that has separated the two-time Grammy winner from his country contemporaries since the start of his legendary career. As usual, Yoakam’s lyrics throughout the album are both deceivingly effortless and poignant. Brighter Days was mixed by world-class engineer Chris Lord-Alge and is slated for release Nov 15, 2024.

Acony Records is proud to present Woodland, the new album by the preeminent songwriting team Gillian Welch & David Rawlings. Following up their homespun GRAMMY-winning release All The Good Times, this ambitious 10 song album mingles full band tracks with intricate duet performances all tied together with the duo's signature sound and remarkable lyricism. Woodland was recorded in Nashville, Tennessee at Welch and Rawlings' own Woodland Sound Studio (newly rebuilt after the 2020 tornado) and cements the duo's iconoclastic position at the forefront of acoustic music. Mastered directly from the original tapes through custom Ortofon amplifiers to a Neumann VMS-80 cutting system. Produced by David Rawlings.

Mutant, in partnership with Hollywood Records and Marvel Studios are proud to present The Newton Brothers' score to the hit animated series X-Men '97 The highly anticipated revival of the long-dormant and seminal animated series is as fun, thoughtful and emotionally charged as the original run, while being matured slightly for an audience that has aged since it's last episode nearly thirty years ago. But matching the energy, tone of the original was dependent on nailing the sound, and that clearly was top of mind for the series composers The Newton Brothers. The Newton Brothers have produced an incredibly dynamic collection of music - from tackling the implications of serious political allegories, deep emotional truths, all while still embracing the fantastical surprises present in this universe (such as being sucked into a video game). X-Men '97 proves you can tackle legacy work in creative and original ways. Pressed on 2x 140 gram vinyl, and featuring artwork by Phantom City Creative.

State Champs surges with the energy of The Finer Things (2013), Around the World and Back (2015), and Living Proof(2018). It expands on the Kings of the New Age (2022) blueprint. That beloved post-pandemic album proved the band will survive. State Champs now sees them thrive. Songs like “Silver Cloud,” “Clueless,” “Sobering,” “Tight Grip,” “I Still Want To,” and “Golden Years” explode with high-energy, passionate, and smartly constructed precision. While big, bold, and slick, the production nevertheless sounds like a band in a room together or decimating the stage. “We found our way, through the ups and downs within us, personally and as a band, and wanted to express that,” explains frontman Derek DiScanio. “This is the right time to showcase it.” Bassist Ryan Scott Graham agrees. “When we stepped back and looked at the songs, sonically and thematically, it’s a great vision of who we are. Every era of State Champs exists within this record.”

Platinum-certified and twice GRAMMY-nominated Michigan powerhouse I Prevail are back with their third full-length offering on Fearless Records. The new record, once again produced by Tyler Smyth, features stadium-sized riffs and unforgettable melodies that will camp out in your brain for weeks at a time. The band combines screamed vocals that crawled from the depths of hell with soaring vocals and intimate lyrics resulting in an album that resonates with the listener in the most personal way.

The Pretty Reckless gives rock ‘n’ roll the jumpstart it needs for a new generation, apparent on this new collection of songs featuring remixes, reimagined versions, and covers of their favorite tracks.