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Here, he sits and plays in an old circuswagon on Thorup Mark, gazing over the rolling hills and becoming absorbed in an old booklet of folk tunes by the locallegend, fiddler Peter Madsen (1865-1900). One autumn day, he tries out the old dance tunes on his trumpet while lookingout across the landscape. The tunes turn into hymns, and it feels as if an old soul is reborn floating across the warm, hillyland, a landscape that writes it's own silent music on the horizon every day. Composer and trumpeter Jakob Buchanan was recently honored as Jazz Composer of the Year 2024 at the Danish MusicAwards for the album Song \u0026amp; Wind, featuring the Aarhus Jazz Orchestra, Copenhagen Boys' Choir, late percussionistMarilyn Mazur, and conductor Carsten Seyer-Hansen (OUR Recordings). https:\/\/www. Buchanan. dk\/Swedish bassist Anders Jormin is one of the world's most distinguished jazz bassists. 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In 2013, John Speight wrote his Soliloquy (track 7 and 8) at my request. Two more recent commissions are on the album, both from composers who play the violin: Fragile Stillness by Lilja Maria asmundsdottir and Aria by Maria Huld Markan. Iceland has a long tradition of violin playing and according to folklore every farmer in certain valleys up north was a fiddler. Ea Fantasia (track 4), my own composition, is inspired by the opening track Alia Fantasia by Nicola Matteis Jr. He was the London-born son of the Italian composer Nicola Matteis, who wrote Ayers and Grounds. Nicola Junior was a violinist like his father and lived in Vienna, where he composed numerous ballets for the imperial opera. His bariolage (arpeggios over four strings) remind me of the opening of Fratres by Arvo Part and Bach's Chaconne-key works in the violin repertoire-both of which have been a great inspiration to me. In Fragile Stillness (track 2), Lilja Maria asmundsdottir experiments with textures. Or as she puts it: \"The piece is inspired by a weather condition called froststillur. It is characterized by an intense calmness where there is no wind and a crisp, frozen atmosphere.Karolina wrote Meditation (track 3) in 1996 for violinist Hlif Sigurjonsdottir, who premiered the piece in June 1997. Meditation is in one movement, built on ideas which change and develop, and the composer describes it as \"variations without a theme.Aria (track 5) by Maria Huld Markan was written for me in 2023. Her solo piece is written under the influence of Maria Callas and her romanticism and lontano as she sings Puccini. Maria is reflecting on the concept of the genius, and motifs are flowing from all the fountains contemplating the romantic violin repertoire. On his Adagio (track 6), composer Tryggvi Baldvinsson writes: \"This small Adagio can be seen as a short play in which three distinct characters appear. Each has it's own traits, it's own personality. 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Above the door there was a painting by Helgi which inspired Sveinn Ludvik deeply; he had the sense it was very somber in it's mood-a naked woman with her back turned. Moved by the scene he wrote Tranquility. Later, when discussing the piece with Helgi and admiring the tragic impact of the naked woman in the picture, Sveinn was shocked to discover that the painting, in fact, was of bananas and oranges.Veronique Vaka Jacques, a Canadian-Icelandic composer and trained classical cellist, grounds her work in the geology and topography of Iceland. In Ofdune (track 9), a map of North Iceland serves as groundwork, with the geographical details of a descending river abstractly translated into the work's time progression, using the river's path through hills and valleys as a loose blueprint. 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Marrying emotional depth with undeniable hooks, WASTED POTENTIAL fuses her diverse influences into her most authentic sound yet. 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Long before the city's underground sound would influence artists across the globe, his homemade mixtapes circulated hand-to-hand throughout Tennessee and the wider South, defining a raw, bass-heavy style that would become the blueprint for generations of rap producers. Cadillac Warning collects a wealth of previously unreleased recordings from the 1990s, excavating the eerie, hypnotic world Fly built from primitive home recording equipment, drum machines and booming car stereos. 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Long before the city's underground sound would influence artists across the globe, his homemade mixtapes circulated hand-to-hand throughout Tennessee and the wider South, defining a raw, bass-heavy style that would become the blueprint for generations of rap producers. Cadillac Warning collects a wealth of previously unreleased recordings from the 1990s, excavating the eerie, hypnotic world Fly built from primitive home recording equipment, drum machines and booming car stereos. Named after the talking alarm system in his prized 1978 Cadillac Coup DeVille, the album captures a period when the car was both status symbol and mobile headquarters, carrying his music from clubs and college campuses to gas stations and neighbourhood streets across Memphis.Championed by the likes of A$AP Rocky, Legowelt, LIM, and more - DJ Spanish Fly's lasting impact on the wider hip-hop landscape is seeing a renewed global interest from underground rap and electronic music communities alike.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho's the Man\u003c\/li\u003e\n\u003cli\u003eU Cain't Hide Ft. Capt C\u003c\/li\u003e\n\u003cli\u003eJealous\u003c\/li\u003e\n\u003cli\u003eBadguy\u003c\/li\u003e\n\u003cli\u003eGit Buck Ft. 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