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What made the partnership unique was the mutual respect between the maestro and the ensemble. While many traditional orchestras initially resisted Harnoncourt's strict adherence to historical scores, the Concertgebouw musicians embraced his intellectual rigor. Over several decades, they developed a distinctive \"Amsterdam style\" of performing the First Viennese School - Mozart, Haydn, Beethoven - combining the orchestra's legendary warmth with Harnoncourt's sharp, dramatic energy. The recorded legacy of this collaboration remains a cornerstone of the classical catalog. Their famous cycles of Mozart and Haydn symphonies were highly acclaimed, as was their profound interpretation of Schubert's complete symphonic works, which continue to be benchmarks for critics and collectors alike. The box also includes the famous Mozart\/Da Ponte trilogy (Don Giovanni, Le nozze di Figaro and CosÃ¬ fan tutte), starring Thomas Hampson, works by Bruckner, Johann Strauss and Brahms, as well as four albums by Dvorak (his major symphonies and his piano concerto)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: IV. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: IV. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: I. Molto presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: II. Andantino con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: IV. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: II. Andante moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: IV. Finale. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante (Alternate Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": I. Adagio - Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: III. Primo tempo\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: II. Andante\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: III. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: II. Andante di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: III. Finale. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: II. Andante\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eFantasy for Two Pianos\u003c\/li\u003e\n\u003cli\u003ePing-Pong\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": II. Larghetto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": III. Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: II. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003eCosÃ¬ fan tutte, K. 588 Complete Opera\u003c\/li\u003e\n\u003cli\u003eDon Giovanni, K. 527: Complete Opera\u003c\/li\u003e\n\u003cli\u003eLe nozze di Figaro, K. 492: Complete Opera\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Chor. \"Schon weichet dir, Sonne\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 2: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 3: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 4: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Chor. \"Gottheit, Ã¼ber alle mÃ¤chtig!\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Interlude - Solo von Sethos und Chor \"Ihr Kinder des Staubes, erzittert und bebet\"\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Sinfonia\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Duetto. \"Signor Poeta mio\" (Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Recitativo. \"Non dubitar, verrÃ²\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"LÃ  tu vedrai chi sono\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Trio. \"Cari oggetti\" (Eleonora, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"Via largo, largo, largo\" - Recitativo. \"Voi non piangete, o perfidi?\" (Tonina, Poeta, Ma\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Cavatina. \"Cucuzze! Che concorso\" (Tonina)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Finale. \"Se questo mio pianto il cor non ti tocca\" (Eleonora, Tonina, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: OuvertÃ¼re\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Ariette. \"Da schlÃ¤gt die Abschiedsstunde\" (Madame Herz)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Rondo. \"Bester JÃ¼ngling! Mit EntzÃ¼cken\" (Mademoiselle Silberklang)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Terzett. \"Ich bin die erste SÃ¤ngerin\" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsan\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Vaudeville. \"Jeder KÃ¼nstler strebt nach Ehre\" (Madame Herz, Mademoiselle Silberklang, Monsieur\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: II. Largo cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: IV. Finale. Presto ma non troppo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": II. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": III. Menuetto. Moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: I. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: II. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: III. Adagio cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": I. Adagio cantabile - Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": IV. Finale. Allegro di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: I. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: IV. Finale. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": II. 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Designed for the listener who seeks a sanctuary in sound, the tracklist moves seamlessly from the sweeping, cinematic melancholy of Mahler and John Williams to the delicate, crystalline precision of Bach and Debussy. Opening with the hauntingly beautiful Adagietto from Mahler's 5th Symphony - famous for it's use in the soundtrack of the film Death in Venice -, Side A sets a tone of profound reflection. The journey continues through the iconic, weeping violin of the Schindler's List theme, and the tender ache of FaurÃ©'s AprÃ¨s un rÃªve, offering a rich, orchestral embrace. The flip side transitions into a more intimate, nocturnal space. From the timeless, moonlight-drenched keys of Debussy to the shimmering textures of Saint-SaÃ«ns' Aquarium, Side B focuses on the soloists. 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