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Rex [Live from STABAL], 17.Punk Boy [Live from STABAL], 18.Silver Surfer [Live from STABAL]\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVinyl version: \u003c\/strong\u003eThe 2LP set pairs the original album with a specially curated collection of B-sides, showcasing the depth and creativity surrounding the 1977 era. Highlights include “Day Of The Triffids,” “Luther Ingo’s Star Cruiser,” “Astra Conversations with Toulouse Lautrec,” “Cantina Band,” “5am Eternal,” “Gimme Some Truth,” “Sneaker,” “T Rex,” and more – essential tracks that cemented Ash’s reputation as one of the most exciting bands of their time. Pressed on green \u0026amp; black InkPlosion vinyl in gatefold jacket.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVinyl Tracklist: \u003c\/strong\u003e1.Lose Control [Remastered 2022], 2.Goldfinger [Remastered 2022], 3.Girl from Mars [Remastered 2022], 4.I'd Give You Anything [Remastered 2022], 5.Gone the Dream [Remastered 2022], 6.Kung Fu [Remastered 2022], 1.Oh Yeah [Remastered 2022], 2.Let It Flow [Remastered 2022], 3.Innocent Smile [Remastered 2022], 4.Angel Interceptor [Remastered 2022], 5.Lost in You [Remastered 2022], 6.Darkside Lightside [Remastered 2022] 1.Day of the Triffids [2026 Remaster], 2.Luther Ingo's Star Cruiser [2026 Remaster], 3.Astral Conversations with Toulouse Lautrec [2026 Remaster], 4.Cantina Band [2026 Remaster], 5.5am Eternal [2026 Remaster], 6.Gimme Some Truth [2026 Remaster], 1.I Need Somebody [2026 Remaster], 2.Sneaker [2026 Remaster], 3.Get Ready [2026 Remaster], 4.T. 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Rex [Live from STABAL], 17.Punk Boy [Live from STABAL], 18.Silver Surfer [Live from STABAL]\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVinyl version: \u003c\/strong\u003eThe 2LP set pairs the original album with a specially curated collection of B-sides, showcasing the depth and creativity surrounding the 1977 era. Highlights include “Day Of The Triffids,” “Luther Ingo’s Star Cruiser,” “Astra Conversations with Toulouse Lautrec,” “Cantina Band,” “5am Eternal,” “Gimme Some Truth,” “Sneaker,” “T Rex,” and more – essential tracks that cemented Ash’s reputation as one of the most exciting bands of their time. 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Joe is a character going through some of what I experienced, and some of his own problems.\"Early this year, the group returned to the studio with producer Steve Fisk to update accordingly -tweaking lyrics and recording new tunes in the \"Denial-style,\" including the optimistic and anthemic \"Joe Drives Again.\" The result retains Teens's dark edge and youthful cynicism, but promises a bit of light at the end of the tunnel. Toledo writes, \"I'm so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. 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Figures emerge from the thicket, offer their own voices: Sufjan Stevens (Ache, Perfect Ripple), This Is The Kit's Kate Stables and Lonny (Deltaplane, Mythic Figure) and J.E. Sunde (Shelley, Dew Pond). Crafted first as demos by Flora, Ben and Victor in Le Vésinet over half a year, the drums, bass and guitar were then recorded live by Ben at Aaron Dessner's studio Mini Pond in the Basque Country. 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Freddy Fender. Doug Sahm. Augie Meyers. Flaco Jimenez. Four careers' worth of Texas music royalty, united on a single stage - and on October 16, 1990, just one year into their run, they took that stage at Austin City Limits and delivered a performance for the ages.Fender was already a mega-star behind \"Wasted Days and Wasted Nights\" and \"Before the Next Teardrop Falls.\" Sahm and Meyers had built their legend with the Sir Douglas Quintet in San Antonio, combining psychedelia, Gulf Coast blues, and spicy conjunto into a sound that shook up the pop charts with \"She's About a Mover.\" And Flaco Jimenez, alongside his father and brother, had helped invent an entire genre - blending Mexican Norteño music with German and Czech polkas and waltzes into something completely his own. Together, they were unstoppable. The 19-song set sweeps through Tex-Mex, blues, country, rock and roll, and conjunto with the loose, joyful energy of a band still reveling in the magic of what they'd created. From the bilingual tenderness of \"She Never Spoke Spanish to Me\" to the barn-burning finale of \"She's About a Mover\" and \"96 Tears, \" every song crackles with the chemistry of four old friends who knew exactly how lucky they were to be sharing that stage.This Tex-Mex revue created a raucous, infectious, danceable sound that ranks as an all-time Austin City Limits favorite. 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From the bilingual tenderness of \"She Never Spoke Spanish to Me\" to the barn-burning finale of \"She's About a Mover\" and \"96 Tears, \" every song crackles with the chemistry of four old friends who knew exactly how lucky they were to be sharing that stage.This Tex-Mex revue created a raucous, infectious, danceable sound that ranks as an all-time Austin City Limits favorite. 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Notably, there is a new sweetness to the collection of songs on Heaven's Night, which features characters who step away from the doomed sunsets and outback melancholy of 2020's Horse. As the band puts it, their new sound is \"\"sweet as dripping honey, sad like summer rain.\"\"While fans might notice greater accessibility in these songs, Heaven's Night is still a classic Holy Motors record with all the attendant enigma. Frontwoman Eliann Tulve and guitarist Lauri Raus continue to write about characters searching for something more, often in the American West. In these new songs, the band brings us closer to these lost souls as they navigate right and wrong. As on the album's first single, \"\"Tough Crush,\"\" and the album's title track, the band paints vivid landscapes where characters seek escape on fleeting nighttime drives and one-night stands, looking to catch a breath of fresh air from lives that have become boring or even tedious in one way or another. The band has been working on these tracks on the road and in their practice space since coalescing in 2021, around the addition of guitarist Ivar Mägi and multi-instrumentalist Villem Sarapuu, who joined original members Eliann Tulve (vocals) and Lauri Raus (guitar), along with long-time drummer Caspar Salo. Recording at Ö Stuudio marks Heaven's Night as the first Holy Motors full-length recorded in Estonia. As Raus puts it, \"\"Recording at Ö Stuudio in Tartu was like setting up in a pawn shop of dusty relics where we could turn the amps up loud, that would never open, serve after-hours, and of course swing senselessly between what's right and wrong in the process,\"\" says Raus. On the record, you can hear anything from a 67' Fender to a $65 Casio keyboard-percussion program.Each member of the five-piece contributes to the overall sound of Heaven's Night. Salo, who also plays in Estonian R'n'B mainstays, Lexsoul Dancemachine, injects these songs with deeply rooted rhythms, from the loose swing of \"\"Lonesome Sinner\"\" to the rapid firing \"\"The Last Ones,\"\" (a staple and fan-favorite from their live set, now finally on wax). Sarapuu's synthesizers add lush textures to some of these songs, like the centerpiece, \"\"Hellishly Hot,\"\" one of the albums pop moments. Similarly, Mägi's guitar tone on the album's pop songs would not be out of place on a Duran Duran album. Since Holy Motors' initial 45s, Lauri Raus's playing has been a study in Morricone-influenced cinematic twang as well as country-leaning psychedelia most akin to The Paisley Underground. On Heaven's Night, bolstered by Magi and Sarapuu, we see his ideas take their ultimate shape. The three guitarists are capable of gentle cascading chimes (\"\"Tough Crush\"\"), searing weaves of twang (\"\"Heaven's Night\"\"), and blissed out plumes of feedback \u0026amp; texture (\"\"God is a Feeling\"\"). Throughout the record, the guitars color in the stories Tulve delivers making them feel more visceral.Without a doubt, Heaven's Night is Holy Motors' most varied album to date. From the furious gallop of \"\"The Last Ones\"\" to Tulve's noirish duet with Bambara's Reid Bateh, \"\"Under My Tongue,\"\" Heaven's Night throws a new spin on the band's world, one that is a little less haunted and a little more dangerous. 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Through fourteen tracks that crackle with clear-eyed vision, Babehoven has crafted a transcendent new collection that gets back to the heart of what makes music meaningful and life worth living.For the first time in Babehoven's prolific output - which includes, most recently, 2024's \"\"Water's Here In You\"\" - Bon and Albert blew the doors open on their process, inviting in three different engineers to capture the songs in four different studios. The all-star line-up includes Sam Evian, Kevin Copeland, and Phil Weinrobe, who also acted as co-producer. Much of \"\"I See Them, I See Me\"\" was live-tracked with a six-person ensemble, with Weinrobe instilling a philosophy of \"\"no playback, no headphones, and no preparation\"\" to create maximal presence in the room.From the opening track \"\"You're a Liar,\"\" the band establishes a new palette: a rollicking blend of indie and alt-country that sparkles with slide guitar, hardanger fiddle, and a sprightly vocal twang paying homage to Emmylou Harris and Patsy Cline, with classic folk-rock artists like Neil Young, Bob Dylan, and The Band as further touchstones.In 2024, during Babehoven's first headline tour, Bon suffered paralysis of her right vocal chord and was told she might never recover. In light of this, the album rings out as a sort of triumphant fist-pump. 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Tracks like the fervent first single \"\"dusty,\"\" galloping \"\"drown me in a bathtub\"\" and pained \"\"hyperpop killed my dog\"\" are transparently honest portraits of fucking up and falling short: bad decisions that felt right at the time, awkward apologies and late-night spirals. 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