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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. Some years and a few projects later, they joined forces to form Wishy, rounding out the lineup with guitarist Dimitri Morris, bassist Mitch Collins, and drummer Conner Host. The group's musical synergy was intense from the jump and the beginning of their career has been a prolific burst: the 'Mana' and 'Paradise' EPs in 2023, debut LP 'Triple Seven' in 2024, and a follow-up EP 'Planet Popstar' in 2025. After those releases met acclaim and the band's stature rose, the conception of 'Nature's Pill' was fundamentally different. The entire project was a more collaborative effort. After writing separately for all of their debut, Krauter and Pitchkites sat down to write together as much as solo; Morris and Collins contributed to the writing process. The group reconvened with 'Triple Seven' co-producer Ben Lumsdaine in Los Angeles, where the quintet packed into a tiny studio and tracked half the songs live in the room, imbuing the album with the immediate energy of a band in sync after heavy touring. It gave them the ability to synthesize an even greater array of touchstones this time around, with the '90s dream-pop and alt-rock of 'Triple Seven' fusing with '80s college rock and '00s indie. \"We were getting a bit more twee with it, embracing the young hipster headspace we had in high school,\" Krauter says. Just as their sound is often a swirl of various alternative and indie traditions, Wishy's new songs collide the highs, pitfalls, and banal detritus of human experience alike. 'Nature's Pill' re-examines some of Wishy's favored themes under new lights, jumping off from breakup songs to more abstract meditations on forlornness, romantic intention, lust. \"We take that stuff and almost write in a fictional, hypothetical frame of mind,\" Krauter explains. \"The songs capture romantic frustration and neurotic desire and the melodrama that ensues from simply being a person with emotions experiencing relationships and inner turmoil. 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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. Some years and a few projects later, they joined forces to form Wishy, rounding out the lineup with guitarist Dimitri Morris, bassist Mitch Collins, and drummer Conner Host. The group's musical synergy was intense from the jump and the beginning of their career has been a prolific burst: the 'Mana' and 'Paradise' EPs in 2023, debut LP 'Triple Seven' in 2024, and a follow-up EP 'Planet Popstar' in 2025. After those releases met acclaim and the band's stature rose, the conception of 'Nature's Pill' was fundamentally different. The entire project was a more collaborative effort. After writing separately for all of their debut, Krauter and Pitchkites sat down to write together as much as solo; Morris and Collins contributed to the writing process. The group reconvened with 'Triple Seven' co-producer Ben Lumsdaine in Los Angeles, where the quintet packed into a tiny studio and tracked half the songs live in the room, imbuing the album with the immediate energy of a band in sync after heavy touring. It gave them the ability to synthesize an even greater array of touchstones this time around, with the '90s dream-pop and alt-rock of 'Triple Seven' fusing with '80s college rock and '00s indie. \"We were getting a bit more twee with it, embracing the young hipster headspace we had in high school,\" Krauter says. Just as their sound is often a swirl of various alternative and indie traditions, Wishy's new songs collide the highs, pitfalls, and banal detritus of human experience alike. 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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. Some years and a few projects later, they joined forces to form Wishy, rounding out the lineup with guitarist Dimitri Morris, bassist Mitch Collins, and drummer Conner Host. The group's musical synergy was intense from the jump and the beginning of their career has been a prolific burst: the 'Mana' and 'Paradise' EPs in 2023, debut LP 'Triple Seven' in 2024, and a follow-up EP 'Planet Popstar' in 2025. After those releases met acclaim and the band's stature rose, the conception of 'Nature's Pill' was fundamentally different. The entire project was a more collaborative effort. After writing separately for all of their debut, Krauter and Pitchkites sat down to write together as much as solo; Morris and Collins contributed to the writing process. The group reconvened with 'Triple Seven' co-producer Ben Lumsdaine in Los Angeles, where the quintet packed into a tiny studio and tracked half the songs live in the room, imbuing the album with the immediate energy of a band in sync after heavy touring. It gave them the ability to synthesize an even greater array of touchstones this time around, with the '90s dream-pop and alt-rock of 'Triple Seven' fusing with '80s college rock and '00s indie. \"We were getting a bit more twee with it, embracing the young hipster headspace we had in high school,\" Krauter says. Just as their sound is often a swirl of various alternative and indie traditions, Wishy's new songs collide the highs, pitfalls, and banal detritus of human experience alike. 'Nature's Pill' re-examines some of Wishy's favored themes under new lights, jumping off from breakup songs to more abstract meditations on forlornness, romantic intention, lust. \"We take that stuff and almost write in a fictional, hypothetical frame of mind,\" Krauter explains. \"The songs capture romantic frustration and neurotic desire and the melodrama that ensues from simply being a person with emotions experiencing relationships and inner turmoil. 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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. Some years and a few projects later, they joined forces to form Wishy, rounding out the lineup with guitarist Dimitri Morris, bassist Mitch Collins, and drummer Conner Host. The group's musical synergy was intense from the jump and the beginning of their career has been a prolific burst: the 'Mana' and 'Paradise' EPs in 2023, debut LP 'Triple Seven' in 2024, and a follow-up EP 'Planet Popstar' in 2025. After those releases met acclaim and the band's stature rose, the conception of 'Nature's Pill' was fundamentally different. The entire project was a more collaborative effort. After writing separately for all of their debut, Krauter and Pitchkites sat down to write together as much as solo; Morris and Collins contributed to the writing process. The group reconvened with 'Triple Seven' co-producer Ben Lumsdaine in Los Angeles, where the quintet packed into a tiny studio and tracked half the songs live in the room, imbuing the album with the immediate energy of a band in sync after heavy touring. It gave them the ability to synthesize an even greater array of touchstones this time around, with the '90s dream-pop and alt-rock of 'Triple Seven' fusing with '80s college rock and '00s indie. \"We were getting a bit more twee with it, embracing the young hipster headspace we had in high school,\" Krauter says. Just as their sound is often a swirl of various alternative and indie traditions, Wishy's new songs collide the highs, pitfalls, and banal detritus of human experience alike. 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For the man born Che Jessamy, his rap moniker isn't some over-the-top rock star persona contrived for public consumption; it's just a name. What you hear on his records is really who he is: a heavy-tongued griot from East Flatbush, Brooklyn, with a gift for vivid stream-of-consciousness storytelling. His bars are imbued with the wisdom he's gained in his lifetime, especially in the 14 years since he first made his debut with the Pro Era collective in the 2010s. \"When I was younger I would always be looking forward to 'next year' or saying to myself, 'When I do this, it's going to be this'... blah blah blah,\" says Chuck, describing how his definition of success has evolved since then. \"But then, as I got older, I have just been more grateful for the gift that it is to even make music [professionally].\" The elaborate title of his new album, Glory Of The King's Hand, speaks to his gratitude for the hand that life's dealt him, which is a pretty good one. At age 34, he does what he loves professionally and does it on his own terms. That's something to be thankful for. Glory Of The King's Hand not only represents Chuck's matured attitude but also his matured sound. After a decade in the game, there's an emphasis on songcraft like never before: \"On this album, I made a lot of conscious [musical] decisions,\" he says. \"I made choruses, there's melodies, there's instrumentation... I really tried to just make better songs that people might want to hear again - that are more than just a good verse.\" Key to this refined approach was collaboration. Chuck is a proficient beatmaker in his own right, as evidenced by his production work for himself and artists like Joey Badass and Boldy James (see 2025's Token of Appreciation album), but this time around, he chose to be a producer in the Quincy Jones sense of the word, bringing together vocalists, producers, and musicians instead of handling all of the beats and rhymes himself: \"I only did one beat on the album [\"Everyday\"], which is the least amount of beats I ever did on any of my albums.\" The results of this collective approach are astounding. Take, for instance, \"Breaking Atoms,\" a track built on the improvised-on-the-spot music of production trio\/band Human Error Club. A hypnotic Fender-Rhodes and head-nod-inducing drums are the perfect complement for Chuck and woods' visual verses and give way to Zeroh's psychedelic sung vocals and his exclamation, \"We the main soooource!\" Multifaceted newcomer Obii Say - Chuck's current favorite rapper - appears on two songs (\"Everyday\" and \"Miracle Miles\") and produces a third. The list of contributing producers is a who's who of underground sound scientists, including The Alchemist, Animoss, Theravada, Kenny Segal, Preservation, Child Actor, and Morriarchi. And while... King's Hand is in some ways a sample of what this section of the underground looks like in 2026, what Chuck brings to the table is uniquely Chuck Strangers. \"I had to do my own thing!\" His resolve is in part due to the influence of his legendary mentors, like the late Ka and The Alchemist, who each carved out their own distinct lanes. \"There's a lot of Roc Marci's, there's a lot of Earl Sweatshirts and you've got many Alchemists out here, but I have to do my own thing that might look a little different from everybody else's shit... I can just be myself.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrack 1\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eIntro\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eEveryday feat. 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Recorded in early 2026 at ARDA Recorders in Porto and produced, mixed, and mastered by Jaime Arellano (Ghost, Ulver, Behemoth), TRAVO's third studio album marks a shift away from the fantasy themes of the band’s previous record, 2023’s ‘Astromorph God’, into something much more personal, palpable, and grounded in the anxieties of the present time.\u003c\/p\u003e\r\n\u003cp\u003eDue for release October 2nd 2026, ‘WASTELAND’ arrives off the back of three years spent touring heavily around Europe, with their notoriously face-melting live show captured on a blazing KEXP session filmed whilst on the road. Looking to keep riding that high, the band took advantage of a rare break in their touring schedule and headed straight for the studio with a newfound intensity and urgency: “The recording session was booked without any composed material, and the whole album ended up being written in a little over one intense month of rehearsals. The pressure of wanting to take a step forward with the next album started to creep in and caused some internal friction. This feeling of urgency naturally carried over into the songs and gave them a character they likely wouldn’t have had in a more relaxed writing environment.”\u003c\/p\u003e\r\n\u003cp\u003eAcross its seven tracks, ‘WASTELAND’ explores themes of “techno-anxiety, disconnection, dystopia, love, death, rebirth, and the search for collective spirituality”, note the band. Each song is loosely inspired by a different section of T.S. Eliot’s poem ‘The Waste Land’, “whose themes and motifs feel especially relevant today.” Musically, the album incorporates dark psychedelic and industrial influences, fusing them with the band’s more familiar elements: loud and corrosive fast-paced songs intertwined with crushing, slow-burning epics. The vocals range from catchy falsetto melodies to full-on growls and screams. 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The title comes from the track of the same name—a bittersweet reflection on looking back at better times. “Like most songs I write, it comes from something real,” says lead singer Steve Garrigan. “That feeling of being part of something special... In some ways, it reflects the journey we’ve been on together.” Written entirely by Garrigan, a first for the band, We Were Only Young? stands as the perfect farewell from one of the most compelling indie-pop bands of their generation.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Will Save You Now (3:04)\u003c\/li\u003e\n\u003cli\u003eWe Were Only Young (3:20)\u003c\/li\u003e\n\u003cli\u003eBack To Me (3:39)\u003c\/li\u003e\n\u003cli\u003eWithout You (3:57)\u003c\/li\u003e\n\u003cli\u003eGet Me High (3:25)\u003c\/li\u003e\n\u003cli\u003eAll I Ever Need Is You (2:15)\u003c\/li\u003e\n\u003cli\u003eVultures (3:14)\u003c\/li\u003e\n\u003cli\u003eLast Forever (2:59)\u003c\/li\u003e\n\u003cli\u003eLearn To Lose (3:16)\u003c\/li\u003e\n\u003cli\u003eHindsight (3:51)\u003c\/li\u003e\n\u003cli\u003eIt’s Not Over (3:05)\u003c\/li\u003e\n\u003cli\u003eThe One For Me (3:37)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072773561\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fantasy","offers":[{"title":"Default Title","offer_id":47900894101730,"sku":"226099383","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/418467318403_1000.jpg?v=1781579694"},{"product_id":"pre-order-kodaline-we-were-only-young-indie-exclusive-translucent-tan","title":"Pre-Order: Kodaline - We Were Only Young [Indie Exclusive Translucent Tan]","description":"\u003cp\u003eAfter over a decade together, beloved Irish band Kodaline close a chapter with We Were Only Young, their fifth and final studio album. 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Sprague builds an intricate world, expanding a sonic register that is both familiar and viscerally new, reflecting the synthesist and composer's internal register with mirrors to alternate realms. Cyano was conjured through ideas of an imagined planet whose inhabitants are rebuilding forbidden capacities for expressivity and emotional connection. An arc of faithful gestures, Cyano is meditation on visibility, psychic transformation, light transmission, and worlds beyond our knowing. It revels in configurations of connective possibility, where shadow and vision meet incisive truth.In a pivotal moment of re-engaging film photography around 2019, Sprague became transfixed by cyanotypes and the work of Anna Atkins, a botanist and photographer who documented flowers through cyano methods. The emotional tenor of Atkins' images sparked narrative threads of a character who lived on a faraway planet, 'Cyano'-once like Earth-destroyed by misunderstanding and forced into a pseudo-mutuality that eschewed individuality for assimilated symbiosis. Through sensitive attempts, the Cyanic character reintroduces autonomous desire, empathic drive, and authentic expression to their world -part memory, grain, and symbol. Through Cyano, Sprague seeks to find a sonic and environmental palette for what this world felt like: familiar yet utterly foreign, sounds that might seem like piano or guitar, but not quite; a continuum that bridges various relational territories-with self, other, ecology, and life in a distant world. Cyano yields an egress for conjuring expressivity, a tool to bridge understanding amidst spectacular and abrading textures of an evolving world.In Cyano, experimental, formless music deconstructs the more traditional songwriting found on Florist tracks. Spontaneous patching and sounds from Sprague's earliest modular synth experiments in 2016 usher a visitation to prior eras and internal worlds, tracing memory and desire through illuminated streaks. Opening track \"\"Double Moon,\"\" featuring Sprague's partner and collaborator V Haddad, foregrounds the parallel realm of Cyano. Audial elements emerge and dissipate in dappled oscillation, marked by patched gradients, frosted angles, and warm, melodic ripples.Sprague's musical approach is marked by a deeply personal atmosphere, rooted in unearthing histories of self and other-modes of intrapersonal and interpersonal connection-and the mercuriality of these attempts. Through intimate phenomenological exploration, Cyano offers subtle and striking textures that embrace vulnerability. Studio recordings and performances alike serve as a vehicle for Sprague to connect meaningfully with listeners across time, tethered in emotional coherence despite disparate geographies. 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The emotional tenor of Atkins' images sparked narrative threads of a character who lived on a faraway planet, 'Cyano'-once like Earth-destroyed by misunderstanding and forced into a pseudo-mutuality that eschewed individuality for assimilated symbiosis. Through sensitive attempts, the Cyanic character reintroduces autonomous desire, empathic drive, and authentic expression to their world -part memory, grain, and symbol. Through Cyano, Sprague seeks to find a sonic and environmental palette for what this world felt like: familiar yet utterly foreign, sounds that might seem like piano or guitar, but not quite; a continuum that bridges various relational territories-with self, other, ecology, and life in a distant world. Cyano yields an egress for conjuring expressivity, a tool to bridge understanding amidst spectacular and abrading textures of an evolving world.In Cyano, experimental, formless music deconstructs the more traditional songwriting found on Florist tracks. 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Through his work as founder of Blind Owl Records, former guitarist for Howlin' Rain, and collaborator with acclaimed projects including Mrs. Henry and Chest Fever, Cervantes has earned recognition from NPR, Rolling Stone, Relix, and more, while NBC San Diego noting that he \"\"oozes rock \u0026amp; roll swagger, and few use it better.\"\"Featuring The Panchos (Dylan Donovan and Breden Dellar of Sacri Monti alongside Justin de la Vega of Warish), the album delivers seven songs steeped in guitar-driven rock and roll, psychedelic soul, rhythm and blues, and Americana. Written between Southern California and Tennessee, the seven-song collection captures Cervantes at a creative crossroads, drawing from personal experiences and a lifelong love of creating music.The result is an impassioned and deeply authentic album that balances razor-sharp guitar work, memorable songwriting, and fearless musicianship. 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