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Just as this couple have taken a bold step into the unknown by leaving Russia and moving to Slovenia, so their music has thrown off all shackles to flourish in a defiant show of vibrant and revivifying colour. \"\"The life of an immigrant is a strange thing.\"\" says the bands Sasha Piankov \"\"But luckily, that glow music brings us has never faded, even though the emotional landscape has definitely shifted.\"\" Yet whilst the music that Sasha and his creative and life partner Masha Piankova came up with is testimony to a liberating triumph against oppression and adversity, it also goes beyond. What has emerged is a kaleidoscopic collision of styles which sends the 'skygazing' realm of their previous work spinning into electronic orbit. Whilst the opener 'Foreign Agent' explicitly tackles the pressures of the Russian state, it also throws a Stereolab-style motorik meditation through an in-the-red psychedelic prism. 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Also included: a highly personal version of Rhapsody in Blue, enriched with the pianist's own cadenzas.The second part, recorded at the Paulello Studio, is entirely devoted to twelve virtuosic etudes composed by Lucas from Gershwin's most popular songs, spanning all chromatic keys. This cycle represents the most ambitious creation of his career as a pianist to date, affirming a deep commitment to freedom and invention, while placing itself in the tradition of the great composers who wrote their own etudes. Gershwin's most celebrated works appear reimagined: The Man I Love, Someone to Watch Over Me, Ain't Necessarily So, They Can't Take That Away From Me, I Got Rhythm plus 20 variations on the theme of Summertime!Internationally acclaimed pianist Lucas Debargue's Gershwin Variations stand as an ambitious and unprecedented project, born from the desire to explore a radically different universe after recording Scarlatti sonatas and the complete solo piano works of Faure. This double album is an ode to George Gershwin, an unclassifiable composer standing at the crossroads of classical music and jazz, whose singularity inspired Lucas to create a work equally impossible to categorize.The Gershwin Variations is neither a classical album nor a jazz album, but a hybrid work reflecting the anticonformist spirit and the American dream embodied by Gershwin. Lucas offers a bold and poetic reinterpretation in which counterpoint, shifting harmonies, and unconventional rhythms reveal the richness of Gershwin's melodies. 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In 2009, Brilliant Classics released the first album ever dedicated to the music of Carlo Tessarini. His music had featured before in a few compilations of Italian Baroque chamber music, but only with this, and three further collections also issued by Brilliant Classics, has the stature of Tessarini become clear, as among the most individual and impressive contemporaries of better-known violinist-composers such as Pietro Locatelli and Arcangelo Corelli. This set compiles several of those previous albums to present an attractive, budget-priced introduction to the appealing world of Tessarini. The historically informed interpretations communicate a lively sympathy for his music, and extensive booklet notes give full details of his life and career, in so far as they can be traced in the historical record, as well as discussions of the salient features of the music. Born in the Adriatic port of Rimini in 1690, Tessarini moved north to Venice for his training, and joined the musicians attached to the Basilica San Marco. His own compositions seemed to have travelled across Europe before he did, thanks to their fresh and appealing melodies and elegant construction. Thus his rising reputation enabled him to undertake extensive tours as a violinist, and eventually he settled in Holland (possibly the city of Arnhem), where he died in 1767. The Op.9 collection of trio sonatas dates from Tessarini's years in Venice and then Urbino, while the Op 12 and Op.14 set of sonatas belong to his touring years in the late 1740s. Engaging and various as these collections are in themselves, they only scratch the surface of Tessarini's productivity. He published at least 20 opus-numbered collections, and his surviving output amounts to around 280 works including 40 concertos. While his music could be summarised as a skilful synthesis between a Vivaldian, Venetian idiom and a new, French-accented galant style, Tessarini evolved and developed like every artist of note, and this set traces a portion of that personal development. 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In a letter addressed to Ferdinand de' Medici, Alessandro says, 'This son of mine is an eagle whose wings are grown; he ought not to stay idle in the nest, and I ought not to hinder his flight.' Curiosity about distant places and love of the unexpected made him leave Italy in 1719 for London, where his opera Narciso was performed the following year. From London he went to the Iberian Peninsula. In Lisbon he was appointed Maestro of the Royal Chapel, and he guided the musical education of Princess Maria Barbara. A desire to see his father again took Scarlatti to Naples in 1724. While there, he played the harpsichord for the great composer Hasse, who was delighted and amazed. Domenico left Italy and went back to Portugal, where he resumed his position and his harpsichord lessons with the Princess Maria Barbara. It was for her that he composed harpsichord pieces which he called Esercizi. Maria Barbara worshiped her Maestro and invited him to join the royal suite when she went to Madrid in 1729. From this time on Scarlatti did not leave Spain. Scarlatti wrote 555 Sonatas for the keyboard. Composed primarily for the harpsichord, these short, single-movement pieces explore bold harmonies, rapid hand crossings, and rhythmic vitality influenced by Spanish music. Each sonata feels like a miniature experiment, full of surprising contrasts and inventive ideas. Despite their brevity, they demand great skill and sensitivity from performers. Scarlatti's music stands apart from his Baroque contemporaries, anticipating Classical clarity while retaining a distinct personality.Played by Finnish keyboard player and conductor Aapo Hakkinen. A personal note from him: 'Scarlatti is the only composer who reminds me of the playfulness of a cat, and he does not suffer from this comparison. We all have seen a kitten play with a twig. 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According to Rob Cowan in Gramophone, the box testified to a career of consistent excellence in the studio, 'her performances attentive to detail, sprightly and invariably at one with her chosen repertoire'. Such praise amplified the enthusiastic reception accorded to her long-pondered recording of Bach's Goldberg Variations, made for Piano Classics, and which was given an Editor's Choice by Gramophone for it's 'selfless commitment and personality, bringing delicacy, drama and architectural splendour to this great music.'In her latest recording, Klara Wurtz turns to equally canonic repertoire by Beethoven: the Third Piano Concerto, the 'Pathetique' and 'Moonlight' Sonatas. This illuminating combination allows the listener to trace Beethoven's development in a concentrated span of three years on the cusp of the 19th century, and specifically through his special feeling for the tragic-heroic key of C minor, which reached it's most celebrated expression in the Fifth Symphony. The slow movement of the 'Pathetique' Sonata has achieved hardly less iconic status in the popular imagination. It's mood of inward contemplation transports the listener to a space inside the mind of the 28-year-old Beethoven, which the outer panels of the sonata further heighten with their high and noble drama. From three years later, the C sharp minor of the 'Moonlight' Sonata further intensifies those contrasts of serenity and struggle with it's sublime opening movement followed by a pair of intricate and fiendishly demanding movements. In 1800 - the year before the 'Moonlight' - Beethoven addressed the legacy of Mozart head-on in the Third Piano Concerto, which takes both it's key and the shape of it's opening motif from the earlier composer's Concerto K491. 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For this ensemble, the answer lies in the piano trios: works that, despite their composer's fame, remain surprisingly absent from the concert hall. 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As a one-time pupil of Franz Liszt, winning admiration from Richard Wagner at an early stage in his career, Giovanni Sgambati pursued a vocation outside the mainstream of 19th-century Italian music. Rather than opera, he was drawn above all to Germanic instrumental models of the concerto, quartet and symphony, prefiguring in this way the music of Martucci and Respighi as they sought to reclaim those models within an Italian tradition. Another of his successors, Alfredo Casella, paid warm tribute to him as a pioneer: 'The work of Sgambati, is of real importance in musical history it was he, at all events, who pointed the way which Italian composers are now treading in ever greater numbers, with growing confidence, and with increasing success.'Particularly notable in this set is the inclusion of the third and last of Sgambati's symphonies. The First and Second have attracted recordings elsewhere, but under the direction of Francesco Attardi, who has made modern editions of several Sgambati works, the Third is revealed as a powerful symphonic statement in five movements and three parts - in this regard, if in few others, resembling Mahler's Fifth, and taking marriage for it's programmatic theme. There is a nobility of utterance to the Third which makes a striking contrast with the blood and thunder of the G minor Piano Concerto, as well as with the intricately worked counterpoint of the Nonet for strings and the two Piano Quintets. Sgambati was agile in both mind and technique, adapting his idiom to his genres. Any listener hungry for out-of-the-way Romantic rarities will find rich rewards in this new, super-budget collection. In previous Fanfare magazine reviews, it was noted that 'Gaia Federica Caporiccio plays with a winsome freshness.' 'Caramiello's performance is more ruminative, less frenetic... this is highly recommended.' In reviewing the chamber music: 'I find Brilliant's newer recording much more to my liking.'\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758971966\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":48075918475490,"sku":"293270977","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529711-3673879.jpg?v=1784665630"},{"product_id":"pre-order-bilal-hassani-bonsoirparis-cd","title":"Pre-Order: Bilal Hassani - Bonsoirparis [CD]","description":"\u003cp\u003eBilal Hassani, aged 25, a singer-songwriter, actor and producer, shares his daily life with over 3 million loyal fans around the world. He is the symbol of a new generation and champions the values of tolerance, acceptance, self-love and respect for all. Bilal is ranked among the world's 20 most influential LGBTQ+ figures by Vanity Fair. He was named Personality of the Year 2021 by the French magazine Têtu. Regarded as a pop icon by Les Inrockuptibles magazine, Bilal Hassani has three albums and one mixtape to his name. With *Bonsoir Paris*, Bilal Hassani has released a twelve-track album entirely dedicated to partying, nightlife and the freedom to be oneself. Produced by himself and Sutus, and featuring compositions by Sutus, Poussin, Balthazar Picard, Lilian Mille, Augustin Charnet and Lowonstage, the record revives the unapologetic pop and French Touch of the likes of David Guetta, Bob Sinclar, Daft Punk and Martin Solveig - that 90s house music that shaped his childhood - which he blends with bolder electro sounds and even a touch of Romanian pop. The album is mainly mixed by Nathan Boddy, whose work features on tracks by New Jeans, Mura Masa, Oklou, Olivia Dean and Shygirl, guaranteeing a production that is both pop and resolutely contemporary. With an average tempo of 124 BPM, it's an album made for dancing, conceived as a breath of fresh air for his audience. Billal: key dates: In 2019, after representing France at Eurovision with his song \"\"ROI\"\" - a powerful message of self-acceptance - he released his debut album, KINGDOM, and won the NRJ Music Award for \"\"Francophone Breakthrough Artist of the Year\"\". That same year, his first tour won an Olympia Award. In 2020, the music video for his single \"\"FAIS LE VIDE\"\", taken from his second album CONTRE SOIREE, won the MTV France Music Video of the Year 2020 = In 2021, Bilal was a finalist in series 11 of *Danse avec les Stars*, becoming the first celebrity in Europe to dance with a same-sex partner, thereby shining a spotlight on the LGBTQIA+ community during prime time. His performances left a lasting impression, both for their technical skill and his stage presence. In 2022, his third album, *Théorème*, was released, produced by the king of French pop, GrandMarnier of the group Yelle. Always in search of new forms of artistic expression, Bilal is now turning his attention to cinema. He landed his first role in *Les Reines du Drame* by director Alexis Langlois, sharing the screen with Asia Argento and Alma Jodorowsky. Distributed by Bac-Films, the film was screened at Cannes as part of the 'Quinzaine des Cinéastes'. 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Born in Liege, he demonstrated exceptional musical talent from a young age and studied at the Royal Conservatory of Liege, where he excelled in composition, organ, and piano. Jongen was deeply influenced by the French musical tradition, particularly the harmonic language of Cesar Franck, Gabriel Faure, and Claude Debussy, while retaining a distinctive personal voice. Jongen's piano works reveal a composer of remarkable craftsmanship and lyrical imagination. Rather than pursuing the dramatic intensity associated with late Romantic virtuosity, he favored elegance, clarity, and expressive subtlety. His music often combines flowing melodic lines with rich yet transparent harmonic textures, creating an atmosphere of warmth and sophistication. Impressionistic harmonic colors frequently appear, though they are balanced by classical formal structures and careful contrapuntal writing.Rhythmically, Jongen's piano compositions display flexibility and natural phrasing, avoiding excessive complexity while maintaining a refined sense of momentum. His writing is idiomatic for the instrument, demonstrating an intimate understanding of the piano's expressive possibilities without relying on technical display for it's own sake. Many of his works evoke poetic imagery through delicate textures, nuanced dynamics, and refined pedaling.Riccardo Mussato, born in Italy in 1998, graduated with highest honours in Piano Performance at the Conservatoire of Turin, where he also obtained a Master cum laude and special mention. After some masterclasses in France, he completed a Master at the Conservatoire Royal of Bruxelles with Distinction and he is ending a Master's degree program in Musicology at the University of Bologna.Particularly interested in French music, para-religious music, Italian music of 20th and 21st century, Mozart's opera, and Wagnerian drama, he maintains an active concert and outreach career, particularly through interdisciplinary lecture-recitals connecting music with the humanities.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758103787\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Piano Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Piano Classics","offers":[{"title":"Default Title","offer_id":48075919851746,"sku":"293270251","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529804-3673873.jpg?v=1784665609"},{"product_id":"pre-order-giulio-tampalini-giuliani-guitar-concertos-cd","title":"Pre-Order: Giulio Tampalini - Giuliani: Guitar Concertos [CD]","description":"\u003cp\u003eMauro Giuliani (1781-1828) was a contemporary of Schubert and one of the many Italian guitar virtuosos who had to flee his own country to get noticed. He ended up in Vienna frequently playing in the fashionable salons and contributing to the guitar becoming all the rage there.As a composer he mainly wrote for his own use: around 200 pieces in all. Many of his works are still popular today, and belong to the standard guitar repertoire.'Composer, or rather translator of beauty'. This is how Giuliani described himself in a letter to Anton Diabelli on 24 January 1824, and it contains all the poetry and aesthetics of his music, which is quintessentially beautiful, charming, melodious and witty.This important new recording presents Giuliani's two guitar concertos and the Variations on the favourite Cavatina 'Deh! Calma, oh ciel!' (from La donna del lago by Rossini) for Guitar and String Quartet.The two concertos and the Rossini variations offer a vivid portrait of Mauro Giuliani as both performer and composer. They show him as a virtuoso elevating the guitar to the rank of a true concert instrument, capable of standing alongside the orchestra, and as a refined chamber musician in dialogue with strings and with the operatic tradition that dominated the imagination of his time.Played by one of the leading guitarists of our time, Giulio Tampalini and the Orchestra da Camera 'Ferruccio Busoni', conducted by Massimo Belli. Tampalini recorded extensively for Brilliant Classics, including works by Llobet, Tarrega, Paganini, Matiegka, Legnani, Rodrigo and Respighi.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758965972\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":48075920310498,"sku":"293227363","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529710-3673878.jpg?v=1784665618"},{"product_id":"pre-order-nicolas-worms-lenquete-lp","title":"Pre-Order: Nicolas Worms - L'enquete [LP]","description":"\u003cp\u003eThe music of composer and pianist Nicolas Worms (born in 1993 in Paris) is a space where contradictory times and places converge. He develops the concept of 'music-fiction', as in the series FLOT, released by Alpha Classics in 2024. This new album arose from the \"\"simple yet dizzying need to summon the unknown within me. What can I draw from my heritage and my keyboards?' says Worms. With four of them - the grand piano, the CP-70 electric piano, the Prophet-V analogue synthesiser and the modular system - he embarks on a grand investigation and uses his instruments as 'pieces of evidence'. L'Enquete comprises four parts and a coda. Some pieces are written in the style of a toccata or a nocturne. Others are improvised, more melodic, and others still more abstract as in any investigation, it is a matter of changing perspective, retracing one's steps, and allowing oneself to be surprised.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3701624512746\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Alpha\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Alpha","offers":[{"title":"Default Title","offer_id":48075920408802,"sku":"293287627","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529688-3673845.jpg?v=1784665718"},{"product_id":"pre-order-antonio-mercurio-hidden-voices-20th-century-italian-works-for-cd","title":"Pre-Order: Antonio Mercurio - Hidden Voices - 20th Century Italian Works For [CD]","description":"\u003cp\u003eThe double bass, the largest and lowest-pitched instrument of the string family, has a rich and evolving history. It's origins date back to the 15th and 16th centuries, when early bass instruments like the violone were used in European music. Unlike the violin family, the double bass developed with influences from both the viol and violin families, which explains it's varied shapes and tuning systems. By the 18th century, it became a standard member of the orchestra, providing depth and harmonic foundation. Over time, makers refined it's design, increasing it's size and improving it's sound projection.This enterprising program presents works for double bass from 20th century Italy, ranging from double bass solo, duos with violin and duos with piano. Composers include Giuseppe Marangoni, Giovanni de Capua, Virgilio Mortari, Lucia Berio and Vito Mercurio. The guide through this fascinating journey is Antonio Mercurio, with his musical partners Mihaela Costea and Alice Baccalini.Antonio Mercurio held principal double bass positions at the Filarmonica Arturo Toscanini in Parma, the L. Cherubini Orchestra under Riccardo Muti, he is regularly invited as principal by orchestras like the Orchestra Accademia di Santa Cecilia, Balthasar Neumann Orchestra, Teatro San Carlo, and Royal Northern Sinfonia and Filarmonica della Scala.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758974929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":48075920572642,"sku":"293270775","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529712-3673880.jpg?v=1784665718"},{"product_id":"pre-order-viibra-softenings-for-7-flutes-lp","title":"Pre-Order: Viibra - Softenings For 7 Flutes [LP]","description":"\u003cp\u003eSoftenings for 7 Flutes (2024) is a work by Niels Lyhne Løkkegaard, commissioned and premiered by the Icelandic flute ensemble viibra. Here, he explores softening as a means of destabilising categorisation and boundary-making, proposing the flute body and the human body not as separate entities, but as wobbly bodies in a continuous state of osmosis.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 747313258024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dacapo\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Dacapo","offers":[{"title":"Default Title","offer_id":48075920703714,"sku":"282447294","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4528244-3668449.jpg?v=1784600384"},{"product_id":"pre-order-brain-damage-ashes-to-ashes-dub-to-dub-lp","title":"Pre-Order: Brain Damage - Ashes To Ashes Dub To Dub [LP]","description":"\u003cp\u003eBy 2004, dub had a history stretching back more than thirty years. This remarkable longevity can easily be explained by the evolving nature of this musical genre, which is constantly changing both artistically and technically, from Kingston to London, New York, and more recently Berlin, Paris, Lyon and Saint-Étienne. For example, it is worth noting that for some years now, in France and elsewhere, a good number of artists have been thinking in terms of dub from the outset, breaking free from the original Jamaican model, which involved drawing inspiration almost systematically from an existing vocal track. Thirty years on, with the release of their second album, Brain Damage aim to reconnect with this tradition. Recent collaborations with the two vocalists, Learoy Green and Black Sifichi, have indeed provided the ideal source material for the creation of five tracks, each rendered in their respective dub versions, thus forming an album with a symmetrical, even geometric character - from it's very structure right down to it's title: 'Ashes to ashes \/ Dub to dub'. At the heart of the project lies the astute choice of two guests, each operating in diametrically opposed spheres yet brought together for the occasion, thereby emphasizing a certain 'unity of the circle': 'the unity of the circle'. Born of a genuine artistic vision, this geometric, symmetrical aesthetic-omnipresent in every detail of the album, both auditory and visual-complements Brain Damage's 'square' and robotic side, with it's three-dimensional evocations. Always working in close collaboration with the very latest digital technologies. This brings to mind 'the balance of the cube'. 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For Frederic Rzewski, the term carried exactly this meaning. A Mensch is not a perfect person, but someone who remains fully human-capable of doubt, contradiction and critical thought, and resistant to becoming passive within larger societal systems. This idea runs quietly but consistently through his work. The pieces brought together here span more than sixty years, from the early 1950s to the last decade of his life, forming a kind of timeline across his career. The musical language changes, sometimes radically, but the underlying concerns remain strikingly constant. Rzewski's music engages with literature, politics and history, often through concrete situations-prison, injustice, personal crisis-but never in an abstract or detached way. The question is always how individuals relate to these forces, and whether they can remain human within them. In that sense, the ethical dimension of the Yiddish Mensch is not just a title, but something that can be heard throughout the programme. Taken as a whole, this recording traces a composer who never gave up on the idea that music can carry meaning beyond itself. Across decades of work, his voice remains clear in it's insistence that art can still ask what it means to live-and to act-as a human being.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5425004847072\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Passacaille\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Passacaille","offers":[{"title":"Default Title","offer_id":48075921260770,"sku":"293321527","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529802-3673885.jpg?v=1784665592"},{"product_id":"pre-order-tim-braithwaite-rex-regum-an-imperial-christmas-den-bosch-cd","title":"Pre-Order: Tim Braithwaite - Rex Regum - An Imperial Christmas - Den Bosch [CD]","description":"\u003cp\u003eRex regum - An Imperial Christmas recreates one of the most remarkable Christmas celebrations of the Renaissance: the festive Mass celebrated in 's-Hertogenbosch on Christmas Day 1545, attended by Holy Roman Emperor Charles V during an unexpected stay in the city. Centered around Jheronimus Vinders' magnificent Missa Fit porta Christi pervia, the programme weaves together plainsong, Renaissance polyphony, traditional Dutch Christmas songs and organ music to evoke the rich soundscape of a sixteenth-century Christmas liturgy. As the final volume in Cappella Pratensis' acclaimed Den Bosch Choirbooks series, this recording brings centuries-old musical treasures from one of Europe's most important surviving choirbook collections vividly back to life through historically informed performance and meticulous scholarship.Adding to the recording's extraordinary authenticity is the use of the Van Straten organ at Amsterdam's Orgelpark an exact reconstruction of the celebrated 1479 organ from Utrecht's Nicolaikerk, whose sound world closely reflects that of the late Middle Ages. Combined with the ensemble's immersive performance practice, singing directly from original choirbook notation, the result is an inspiring musical journey that transports the listener into the splendour, devotion and ceremonial grandeur of an imperial Christmas more than 480 years ago. The ensemble regularly has received a Diapason d'Or, the Prix Choc, and for the last three CDs, three consecutive Gramophone Editor's Choice's. In 2022 Capella Pratensis received a Gramophone Award, maybe the most important award one can receive in classical music!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 0608917288124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Challenge Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Challenge Classics","offers":[{"title":"Default Title","offer_id":48075921490146,"sku":"293215587","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529724-3677431.jpg?v=1784914072"},{"product_id":"pre-order-fabrizio-falasca-medtner-vn-sons-nos-1-3-3-notturni-cd","title":"Pre-Order: Fabrizio Falasca - Medtner: Vn Sons Nos. 1-3 3 Notturni [CD]","description":"\u003cp\u003eFrom the reserved charm of the three Nocturnes to the heroic struggle of the 'Sonata Epica': the major violin-and-piano works by Nikolai Medtner, in a new recording by musicians with an impressive pedigree in the music of this overlooked master of late Romanticism. While Nikolai Medtner (1880-1951) is best known for the cycle of piano sonatas which assure his stature as one of the great pianist-composers of the 20th century, his musical inspiration was hardly confined to expression through his own instrument. Brilliant Classics have already issued a magnificent cycle of Medtner's complete songs, which cover the course of the composer's long career from his Russian childhood to his exile and retirement in London from 1936. Medtner's wife Anna was a violinist, and he seems to have had her in mind when writing his music for violin and piano. Premiered in 1911, the First Sonata was inspired by the figure of Dionysus, Greek god of revelry. Thus the sonata concludes with a wild 'Dithyramb' which works a tango rhythm into the texture. From 1925, the Second Sonata bears the subtitle 'Spring' less in homage to Beethoven's example than to a poem by Fyodor Tyutchev. This is one of Medtner's most overtly 'Russian' works with it's folky spirit and evocations of balalaikas. The third, last and longest of the sonatas was composed in 1938, once Medtner had settled in London. We may hear in it the mingled relief and sadness at the turbulent state of his homeland, and his distance from it. Born in Naples in 1988, Fabrizio Falasca is Assistant Leader of the Philharmonia Orchestra in London, regularly playing with the world's great conductors of our day, but he also pursues a busy solo career of his own, as both a recitalist and a recording artist. This survey of Medtner marks his third album for Brilliant Classics, following well-received collections of Viotti and Busoni: 'Fluent, musical and well-recorded performances' (MusicWeb International). His partner on this occasion is the pianist Antonio Pompa-Baldi, who is renowned in his own right as a specialist in super-virtuoso piano music and neglected composers of the late-Romantic era. He is a regular guest at the Rarities of Piano Music Festival in Husum, Germany and a professor of piano at the Cleveland Institute of Music. His own extensive catalogue of recordings includes collections of solo music by Grieg and Hummel as well as concertos and chamber-music collaborations such as this one with his fellow Italian, Fabrizio Falasca. Together, violinist and pianist tap into the elusive but deep feelings flowing beneath the complex surface of Medtner's ambitious forms and grand narratives. 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Mahler continued this tendency, further enlarging the ensemble: additional winds, triple brass, and a rich percussion section became the norm. Today we naturally expect overwhelming power from Mahler's Titan, as if the very title evoked an immense orchestra. Scogna, by contrast, overturns this expectation through subtraction: he does not like to speak of arrangement, but rather of chiselling work. His idea is to reduce excessive doublings while leaving intact the principal lines chosen by Mahler, almost as if carving from marble only the contrapuntal skeleton of the work.Arnold Schoenberg (1918-21) had already theorized a similar idea with the Society for Private Musical Performances: the aim was to 'create a thinned-out sound in order to examine the essence' of symphonic works.In transcribing the First Symphony for only fifteen instruments, Scogna carries out a subtraction of the utmost rigor. 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He is the symbol of a new generation and champions the values of tolerance, acceptance, self-love and respect for all. Bilal is ranked among the world's 20 most influential LGBTQ+ figures by Vanity Fair. He was named Personality of the Year 2021 by the French magazine Têtu. Regarded as a pop icon by Les Inrockuptibles magazine, Bilal Hassani has three albums and one mixtape to his name. With *Bonsoir Paris*, Bilal Hassani has released a twelve-track album entirely dedicated to partying, nightlife and the freedom to be oneself. Produced by himself and Sutus, and featuring compositions by Sutus, Poussin, Balthazar Picard, Lilian Mille, Augustin Charnet and Lowonstage, the record revives the unapologetic pop and French Touch of the likes of David Guetta, Bob Sinclar, Daft Punk and Martin Solveig - that 90s house music that shaped his childhood - which he blends with bolder electro sounds and even a touch of Romanian pop. The album is mainly mixed by Nathan Boddy, whose work features on tracks by New Jeans, Mura Masa, Oklou, Olivia Dean and Shygirl, guaranteeing a production that is both pop and resolutely contemporary. With an average tempo of 124 BPM, it's an album made for dancing, conceived as a breath of fresh air for his audience. Billal: key dates: In 2019, after representing France at Eurovision with his song \"\"ROI\"\" - a powerful message of self-acceptance - he released his debut album, KINGDOM, and won the NRJ Music Award for \"\"Francophone Breakthrough Artist of the Year\"\". That same year, his first tour won an Olympia Award. In 2020, the music video for his single \"\"FAIS LE VIDE\"\", taken from his second album CONTRE SOIREE, won the MTV France Music Video of the Year 2020 = In 2021, Bilal was a finalist in series 11 of *Danse avec les Stars*, becoming the first celebrity in Europe to dance with a same-sex partner, thereby shining a spotlight on the LGBTQIA+ community during prime time. His performances left a lasting impression, both for their technical skill and his stage presence. In 2022, his third album, *Théorème*, was released, produced by the king of French pop, GrandMarnier of the group Yelle. Always in search of new forms of artistic expression, Bilal is now turning his attention to cinema. He landed his first role in *Les Reines du Drame* by director Alexis Langlois, sharing the screen with Asia Argento and Alma Jodorowsky. Distributed by Bac-Films, the film was screened at Cannes as part of the 'Quinzaine des Cinéastes'. 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