{"title":"Pre-Order: Nov 20, 2026","description":null,"products":[{"product_id":"pre-order-anders-ericson-solo-pieces-for-lutha-cd","title":"Pre-Order: Anders Ericson - Solo Pieces For Lutha [CD]","description":"\u003cp\u003ePieces for Lutha\" Anders Ericson plays this unique instrument from the Gustavian era, and presents an unknown part of the late 18th century Swedish musical landscape to the modern audience. Lute player Anders Ericson plays recently restored instruments by Swedish 18th century master luthier Johan Jerner, that take us back to an intriguing and intimate sonority from another time. Swedish composers Cloos, Ankar and Wikmanson clearly display the high musical and technical level of early Swedish \"Luthenists\". Each work on \"Solo Pieces for Lutha\" is a world premiere recording, which makes this disc truly exciting. 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He studied violin from 1929 until 1935 at the Conservatory of Liepaja, then composition and conducting (under Leo Blech) at the Conservatory of Riga from 1940 until 1944 while working as a violinist at Riga Opera. In 1944 he was appointed conductor of Riga Opera, then of the Latvian Radio Orchestra (1947-1952). In 1952 he was appointed associate conductor of the Leningrad Philharmonic under Yevgeny Mravinsky and toured frequently with them, as well as with other Russian orchestras, to the UK and to the Continent from 1970 onwards. Jansons became principal guest conductor of Manchester's Hallé Orchestra in 1965 at the personal invitation of Sir John Barbirolli, who knew of Jansons as an expert orchestral conductor but a genius in the rehearsal studio. It was in Manchester that Jansons collapsed and died from a heart attack in 1984 while conducting a concert with the Hallé. 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The album Patterns from Nature is an unashamedly ambitious showcase for his remarkable abilities as a composer and orchestrator, working within the space where the heartfelt collaborative improvisation of jazz meets the adventurous rigor of contemporary music and the depth and complexity of conceptual art. As composer, Nachoff created the closely written, intricately detailed scores for a pair of large-ensemble pieces. As bandleader, he oversaw the realisation of those scores by a hand-picked team of remarkable genre-crossing musicians, including pianist Matt Mitchell, percussionist Satoshi Takeishi, bassist Carlo de Rosa, clarinetist Francois Houle, trombonist Ryan Keberle, and the internationally renowned Molinari String Quartet, supported by a large chamber ensemble conducted by JC Sanford. As interdisciplinary collaborator, he worked with physicist Dr. Stephen Morris, whose research into emergent patterns in nature informed the project's structural concepts, and four filmmakers -Tina de Groot, Lee Hutzulak, Gita Blak, and Udo Prinsen - originally conceived alongside them for a multimedia version of the work, resulting in the titular Patterns from Nature suite of four contrasting movements that engage the listener at every level.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePatterns from Nature: I. Branches\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: II. Flow\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: III. Cracks\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: IV. 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The album \"War Machine\" will be released on April 17, 2026, on ZRP.Inventors of Hot Wave (as described by Tracks on Arte), The Lanskies are back to set the world on fire. An ambitious project, at the crossroads of post-punk and indie-pop influences, recorded at Studio de la Chouette and mixed by renowned sound engineer Clive Martin (Queen, The Cure, Les Wampas, Les Négresses Vertes, Stereophonics, etc.), promising a sound that is both dense and sophisticated. Eleven powerful rock tracks that blend influences (Pulp, Kaiser Chiefs, LCD Soundsystem, Talking Heads, and even Oasis) while retaining a strong sense of individuality.Led by their charismatic frontman Lewis Evans, known for their breathtaking live performances (around fifty concerts on their previous album took them from Rock en Seine to China), their concert schedule is already filling up fast with a dozen dates already announced. 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The stark landscape and the island's layered history - where centuries-old blackhouses stand not far from a modern military base - shaped a record that quietly reflects on connection, fragility and the changing world around us.Beyonder is an album for a changing world. It confronts the biodiversity and climate crises, the rise of divisive politics, and the toll these pressures take on our minds and communities. These are songs about journeys and destinations, discovery and choice, and taken together they cultivate a hopeful state of mind in unsettled times. Musically, Beyonder sees Stornoway stepping beyond the folk label often attached to their early work. The songs feel broader in scale, with expansive arrangements that still centre on the band's distinctive harmonies and clear melodic writing. 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With ten widely admired recordings to it's name and numerous festival distinctions, the Kielce-based choir Fermata has earned a reputation for interpretative insight, tonal refinement, and exemplary musicianship. 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The four-track collection brings together a handpicked group of artists whose individual approaches blur the boundaries between a variety of genres and contemporary Brazilian sounds.To be released digitally and on limited vinyl, the EP also sees the return of acclaimed artist Luci Pina, whose artwork for Tuff Times Never Last is reimagined for this new chapter, creating a visual thread between the original album and it's Brazilian counterpart.Leading the announcement is Never Lost (Luedji Luna Remix), available now on all digital platforms. The celebrated Brazilian singer-songwriter brings her unmistakable warmth and emotive vocal sensibility to the track, offering a beautifully understated reinterpretation that deepens the song's themes of hope, resilience and togetherness.Completing the EP are three further remixes from across Brazil's vibrant musical landscape. 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Drawing on distinctly American preoccupations, the work unfolds within a community bound together by circumstance and belief, shaped by the unsettling presence of an unexplained 'hum' that blurs perception and reality. Through Mazzoli's richly textured orchestral writing and Vavrek's incisive dramaturgy, the opera becomes a powerful reflection on vulnerability, tenderness, rage and hope, all sung into existence with a haunting sense of optimism.At it's centre is Claire Devon, a high school math teacher portrayed with remarkable intensity by Nicole Heaston, whose collaboration with the composer shapes a character defined by curiosity, precision and uncompromising emotional depth. Her journey from isolation to reluctant authority exposes the human need for connection in a world where listening becomes both consolation and control, and where belief can quickly harden into collective illusion. 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Aaron Messing is a composer, arranger, producer, and trumpet player, and Anni Hochhalter is a founding member and French horn player of classical chamber ensemble WindSync. In substance, the album slips from dimension to dimension within and between songs as though traversing the contours of a calabi-yau manifold - heady and quirky like a Terry Gilliam cut-out animation but grounded in a Herman Hesse-esque spirituality. 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