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The album Patterns from Nature is an unashamedly ambitious showcase for his remarkable abilities as a composer and orchestrator, working within the space where the heartfelt collaborative improvisation of jazz meets the adventurous rigor of contemporary music and the depth and complexity of conceptual art. As composer, Nachoff created the closely written, intricately detailed scores for a pair of large-ensemble pieces. As bandleader, he oversaw the realisation of those scores by a hand-picked team of remarkable genre-crossing musicians, including pianist Matt Mitchell, percussionist Satoshi Takeishi, bassist Carlo de Rosa, clarinetist Francois Houle, trombonist Ryan Keberle, and the internationally renowned Molinari String Quartet, supported by a large chamber ensemble conducted by JC Sanford. As interdisciplinary collaborator, he worked with physicist Dr. Stephen Morris, whose research into emergent patterns in nature informed the project's structural concepts, and four filmmakers -Tina de Groot, Lee Hutzulak, Gita Blak, and Udo Prinsen - originally conceived alongside them for a multimedia version of the work, resulting in the titular Patterns from Nature suite of four contrasting movements that engage the listener at every level.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePatterns from Nature: I. Branches\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: II. Flow\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: III. Cracks\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: IV. 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Their sophomore album No Chaser lands neat, on the rocks, no apologies: ten tracks of melodic surf-pop-punk hammered out by a band that has clearly spent the last year sharpening every edge. It's a record you can hear the kilometers in. Between The Only Place I Know and now, Andrew Scott, Lachlan Jackson, Patrick Russell and Nick Scott have torn through a sold-out national run, crisscrossed the UK and Europe, and made a habit of leaving rooms louder than they found them. No Chaser carries the dust from all of it - bigger choruses, leaner production, a touch more bruise underneath the gloss. There's still that windows-down, salt-on-the-windscreen feel that made the debut impossible to ignore, but it's wired into songs that swing harder and cut deeper. Less wistful afternoon, more last-light drive home with the volume creeping up. The four-piece make melodic surf-pop-punk that sounds great turned up loud - driving in your mate's car on the way back to the beach. 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The four-track collection brings together a handpicked group of artists whose individual approaches blur the boundaries between a variety of genres and contemporary Brazilian sounds.To be released digitally and on limited vinyl, the EP also sees the return of acclaimed artist Luci Pina, whose artwork for Tuff Times Never Last is reimagined for this new chapter, creating a visual thread between the original album and it's Brazilian counterpart.Leading the announcement is Never Lost (Luedji Luna Remix), available now on all digital platforms. The celebrated Brazilian singer-songwriter brings her unmistakable warmth and emotive vocal sensibility to the track, offering a beautifully understated reinterpretation that deepens the song's themes of hope, resilience and togetherness.Completing the EP are three further remixes from across Brazil's vibrant musical landscape. Onome of Kokoroko joins forces with acclaimed guitarist Nyron Higor for a richly textured rework of Da Du Dah, while producer Aleh Ferreira delivers a rhythm-driven reinterpretation of the same track. Closing the collection, Bruno Berle transforms Closer To Me with his signature blend of intimate songwriting, Brazilian groove and experimental pop sensibilities.Together, the remixes offer fresh perspectives on Tuff Times Never Last, extending the album's spirit of optimism while celebrating the creative connections between London and Brazil.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKokoroko - Da Du Dah (Onome Remix Feat. 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Stephen Wyrczynski, viola, and Aram Arakelyan, piano, gave the world premiere in the fall of 2024 and recorded the work for Azica Records in the summer of 2025 with producer Alan Bise. A printed edition is published by Songburd Music.This definitive edition of The Rite of Spring for viola and piano was a collaboration between Stephen Wyrczynski and Aram Arakelyan, both in residence at the Jacobs School of Music at Indiana University. We spent many months studying the orchestral score composed by Stravinsky, as well as reviewing and considering the composer's own reduction for piano four hands. 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This is loud. This is blues the way it was meant to be - sweaty, electric, and unapologetic. The kind of music where the amps glow, the drums crack like thunder, and the crowd feels every bend of the strings in their chest.  Follow the thunder.  Delmark Records - Blues and Jazz since 1953; experience the legends from the blues capital of the world!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMojo Man\u003c\/li\u003e\n\u003cli\u003eSacrifice\u003c\/li\u003e\n\u003cli\u003eI Still Wonder\u003c\/li\u003e\n\u003cli\u003eOn and on\u003c\/li\u003e\n\u003cli\u003eLet Me Live\u003c\/li\u003e\n\u003cli\u003eTell Me What It Is\u003c\/li\u003e\n\u003cli\u003eChicago Cowboy\u003c\/li\u003e\n\u003cli\u003eComin for Mines\u003c\/li\u003e\n\u003cli\u003eI Know You Gotta Go\u003c\/li\u003e\n\u003cli\u003eDo It Right\u003c\/li\u003e\n\u003cli\u003eBonus Track: What'd I Say\u003c\/li\u003e\n\u003cli\u003eBonus Track: Leave My Girl Alone\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 038153089818\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Delmark\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Delmark","offers":[{"title":"Default Title","offer_id":48075916345570,"sku":"289046605","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529161-3670606.jpg?v=1784665695"},{"product_id":"pre-order-vershinina-yulia-mukhopadhyay-cantata-remix-for-four-hands-cd","title":"Pre-Order: Vershinina-Yulia Mukhopadhyay - Cantata (Re)Mix For Four Hands [CD]","description":"\u003cp\u003eAthene is proud to present Cantata (re)mixed for four hands, an exciting album of J.S. Bach's Cantatas arranged\/re-composed by Chiahu Lee and Gyorgy Kurtag, and performed by piano Duo Vershinina-Lee (Chiahu Lee and Yulia Vershinina-Mukhopadhyay). This follows their acclaimed Diversions release in 2024 (re)inventions a deux pianos (DDV 24172), a complete recomposition for two pianos of J.S. Bach's 15 two-part inventions, praised by BBC Music Magazine as 'an invigorating and beguiling spring clean for the ears.' Yulia Vershinina first encountered Kurtag's transcription of the Sonatina from J.S. Bach's Cantata Gottes Zeit ist die allerbeste Zeit ten years ago, and drawn to it's intimacy, the Duo have longed to record it. It's included on the album alongside six new four-hand reimaginings of J.S. Bach cantata sections composed by Chiahu Lee, and in doing so the duo have formed an imagined cantata of their own, bringing Bach's vocal world into the shared space of one piano, embodying the joy, spontaneity, and trust of their unique partnership.The album opens with the exhilarating and joyful arrangement of Sinfonia 'Wir danken dir, Gott, wir danken dir' (BWV 29), followed by the Chorale 'Wachet auf, ruft uns die Stimme' (BWV 140), both bringing to mind the layered textures of electronic music. The Chorale Prelude 'Nun freut euch, lieben Christen g'mein' (BWV 734) successfully manages the tricky task of translating the various different instrumental colours into one shared keyboard. Chorale Prelude 'Ich ruf zu dir, Herr Jesu Christ' (BWV 639) was inspired in part by Kurtag's transcription style: intimate, spare, and intensely concentrated, and is followed by his long-awaited arrangement of the Sonatina 'Gottes Zeit ist die allerbeste Zeit' (BWV 106). Chia- Chia has waited since childhood to play Aria 'Alles, was von Gott geboren' (BWV 80), and to bring this beloved vocal moment into the shared space of four hands. The final Chorale 'Alle Menschen mussen sterben' (BWV 262) was inspired by string instruments - Lee found ways to allow the piano to replicate their resonance and to suggest bowed sound.Chiahu-Lu Lee says 'Bach himself was a master of transcription: he arranged music by other composers and reworked his own. Seen in that light, the desire to carry Bach's vocal worlds into the hands of pianists felt less like an intrusion and more of a continuation - a way of entering a tradition rather than stepping outside of it.'Pianists Yulia Vershinina-Mukhopadhyay and Chiahu 'Chia-Chia' Lee met at the Royal Northern College of Music in Manchester, where a lasting friendship grew into an enduring musical partnership. 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The track list draws from the original soundtrack's most recognized pieces and centers on two major regions: Giran and Aden.Early on their journey, players venture into the world's southern territory of Giran. As they explore the region's villages, tracks such as \"\"Crossroad at Dawn,\"\" \"\"Shepard's Flute\"\" and \"\"Caravans Crossing\"\" help create a calm, grounded atmosphere that reflects the peaceful nature of travel through the area.In contrast, the world's northern territory of Aden reflects the game's grander, more conflict driven spirit. As players continue their journey, the Elven Village track \"\"Unicorn's Rest\"\" marks a turning point, gradually giving way to darker settlements and imposing castles through standout tracks such as \"\"Knighting Ceremony\"\" from the iconic Aden Castle and \"\"Expedition March\"\" from the Town of Oren, where tension, warfare and large scale conflict take center stage.Across both regions, the tracks are more than background music; they shape how players experience each location, from villages and hunting zones to moments of intense combat. 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