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Born in the Adriatic port of Rimini in 1690, Tessarini moved north to Venice for his training, and joined the musicians attached to the Basilica San Marco. His own compositions seemed to have travelled across Europe before he did, thanks to their fresh and appealing melodies and elegant construction. Thus his rising reputation enabled him to undertake extensive tours as a violinist, and eventually he settled in Holland (possibly the city of Arnhem), where he died in 1767. The Op.9 collection of trio sonatas dates from Tessarini's years in Venice and then Urbino, while the Op 12 and Op.14 set of sonatas belong to his touring years in the late 1740s. Engaging and various as these collections are in themselves, they only scratch the surface of Tessarini's productivity. He published at least 20 opus-numbered collections, and his surviving output amounts to around 280 works including 40 concertos. While his music could be summarised as a skilful synthesis between a Vivaldian, Venetian idiom and a new, French-accented galant style, Tessarini evolved and developed like every artist of note, and this set traces a portion of that personal development. Anyone who has not encountered Tessarini before will find that this set presents an ideal opportunity to make amends.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758700542\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":48075914903778,"sku":"293324510","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529706-3673874.jpg?v=1784665653"},{"product_id":"pre-order-aapo-hakkinen-domenico-scarlatti-14-sonatas-cd","title":"Pre-Order: Aapo Hakkinen - Domenico Scarlatti: 14 Sonatas [CD]","description":"\u003cp\u003eDomenico, son of Alessandro Scarlatti, one of the great Italian composers, was born in Naples in 1685. In a letter addressed to Ferdinand de' Medici, Alessandro says, 'This son of mine is an eagle whose wings are grown; he ought not to stay idle in the nest, and I ought not to hinder his flight.' Curiosity about distant places and love of the unexpected made him leave Italy in 1719 for London, where his opera Narciso was performed the following year. From London he went to the Iberian Peninsula. In Lisbon he was appointed Maestro of the Royal Chapel, and he guided the musical education of Princess Maria Barbara. A desire to see his father again took Scarlatti to Naples in 1724. While there, he played the harpsichord for the great composer Hasse, who was delighted and amazed. Domenico left Italy and went back to Portugal, where he resumed his position and his harpsichord lessons with the Princess Maria Barbara. It was for her that he composed harpsichord pieces which he called Esercizi. Maria Barbara worshiped her Maestro and invited him to join the royal suite when she went to Madrid in 1729. From this time on Scarlatti did not leave Spain. Scarlatti wrote 555 Sonatas for the keyboard. Composed primarily for the harpsichord, these short, single-movement pieces explore bold harmonies, rapid hand crossings, and rhythmic vitality influenced by Spanish music. Each sonata feels like a miniature experiment, full of surprising contrasts and inventive ideas. Despite their brevity, they demand great skill and sensitivity from performers. Scarlatti's music stands apart from his Baroque contemporaries, anticipating Classical clarity while retaining a distinct personality.Played by Finnish keyboard player and conductor Aapo Hakkinen. A personal note from him: 'Scarlatti is the only composer who reminds me of the playfulness of a cat, and he does not suffer from this comparison. We all have seen a kitten play with a twig. It is impossible to describe it's grace, charm, vivacity, and inventiveness. For a very serious man, these puerile marvels are, of course, useless, to say the least. After all what is the cat's aim in playing with a twig? If only it were on the lookout for a mouse, it would be useful to the household and therefore acceptable.Among all the Scarlatti sonatas which appeared the most beautiful to me, I chose to play those which according to their affinities and to my fancy form a chain and pursue a single tale of love and wild adventure.'Hakkinen plays on a famous historical instrument, the Joao Baptista Antunes 1789, located and recorded in the Museu Nacional da Musica, Lisbon, Portugal.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758701037\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":48075915526370,"sku":"293262679","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529707-3673875.jpg?v=1784665630"},{"product_id":"pre-order-matti-bye-length-between-dusk-dawn-in-minutes-lp","title":"Pre-Order: Matti Bye - Length Between Dusk \u0026 Dawn In Minutes [LP]","description":"\u003cp\u003eWith The Length Between Dusk and Dawn in Minutes, Swedish pianist and composer Matti Bye presents a deeply atmospheric album between ambient piano, modern classical music and cinematic minimalism. Across twelve intimate movements, Bye explores the fragile space between night and morning, where silence, memory and emotion slowly unfold. Delicate piano motifs, subtle harmonies and organic textures create a poetic sound world that feels both timeless and immediate. Melancholic, tender and quietly immersive, the album invites listeners into a suspended moment of reflection - a musical twilight shaped by sensitivity, restraint and emotional depth.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885470046914\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Neue Meister\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Neue Meister","offers":[{"title":"Default Title","offer_id":48075916935394,"sku":"293410433","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529780-3673950.jpg?v=1784665686"},{"product_id":"pre-order-klara-wurtz-beethoven-pno-con-no-3-pno-sonatas-cd","title":"Pre-Order: Klara Wurtz - Beethoven: Pno Con No. 3 Pno Sonatas [CD]","description":"\u003cp\u003eA new recording of Beethoven masterpieces by a Hungarian pianist acclaimed for her 'intelligence, technical finesse, and innate musicality' (Classics Today).As issued by Brilliant Classics in 2025, a 34CD box of music from Bach to Bartok demonstrated the impressive range of Klara Wurtz's musical affinities, in recordings which span over two decades. According to Rob Cowan in Gramophone, the box testified to a career of consistent excellence in the studio, 'her performances attentive to detail, sprightly and invariably at one with her chosen repertoire'. Such praise amplified the enthusiastic reception accorded to her long-pondered recording of Bach's Goldberg Variations, made for Piano Classics, and which was given an Editor's Choice by Gramophone for it's 'selfless commitment and personality, bringing delicacy, drama and architectural splendour to this great music.'In her latest recording, Klara Wurtz turns to equally canonic repertoire by Beethoven: the Third Piano Concerto, the 'Pathetique' and 'Moonlight' Sonatas. This illuminating combination allows the listener to trace Beethoven's development in a concentrated span of three years on the cusp of the 19th century, and specifically through his special feeling for the tragic-heroic key of C minor, which reached it's most celebrated expression in the Fifth Symphony. The slow movement of the 'Pathetique' Sonata has achieved hardly less iconic status in the popular imagination. It's mood of inward contemplation transports the listener to a space inside the mind of the 28-year-old Beethoven, which the outer panels of the sonata further heighten with their high and noble drama. From three years later, the C sharp minor of the 'Moonlight' Sonata further intensifies those contrasts of serenity and struggle with it's sublime opening movement followed by a pair of intricate and fiendishly demanding movements. In 1800 - the year before the 'Moonlight' - Beethoven addressed the legacy of Mozart head-on in the Third Piano Concerto, which takes both it's key and the shape of it's opening motif from the earlier composer's Concerto K491. Klara Wurtz is given attentive and lively support by the Czech Chamber Philharmonic Orchestra Pardubice under their experienced Armenian music director, Vahan Mardirossian.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758102902\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Piano Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Piano Classics","offers":[{"title":"Default Title","offer_id":48075918180578,"sku":"293316878","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529803-3673872.jpg?v=1784665633"},{"product_id":"pre-order-susato-trio-mozart-pno-trios-vol-1-cd","title":"Pre-Order: Susato Trio - Mozart: Pno Trios Vol. 1 [CD]","description":"\u003cp\u003eHow can music by Mozart still feel undiscovered? For this ensemble, the answer lies in the piano trios: works that, despite their composer's fame, remain surprisingly absent from the concert hall. Bringing together K. 254, K. 496 and K. 548, this first volume follows Mozart's style across twelve formative years, representing three distinct periods in his writing for piano trio, from the lingering influence of the accompanied sonata to a richly conversational chamber style.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 608917727425\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Evil Penguin Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Evil Penguin Records","offers":[{"title":"Default Title","offer_id":48075918442722,"sku":"293308578","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529750-3673887.jpg?v=1784914040"},{"product_id":"pre-order-federica-gaia-caporiccio-sgambati-collection-italian-romantics-series-cd","title":"Pre-Order: Federica Gaia Caporiccio - Sgambati Collection (Italian Romantics Series) [CD]","description":"\u003cp\u003eThe most comprehensive set ever dedicated to the music of a neglected Italian Romantic, reissuing modern performances which have been recognised for their sensitivity and dynamism. As a one-time pupil of Franz Liszt, winning admiration from Richard Wagner at an early stage in his career, Giovanni Sgambati pursued a vocation outside the mainstream of 19th-century Italian music. Rather than opera, he was drawn above all to Germanic instrumental models of the concerto, quartet and symphony, prefiguring in this way the music of Martucci and Respighi as they sought to reclaim those models within an Italian tradition. Another of his successors, Alfredo Casella, paid warm tribute to him as a pioneer: 'The work of Sgambati, is of real importance in musical history it was he, at all events, who pointed the way which Italian composers are now treading in ever greater numbers, with growing confidence, and with increasing success.'Particularly notable in this set is the inclusion of the third and last of Sgambati's symphonies. The First and Second have attracted recordings elsewhere, but under the direction of Francesco Attardi, who has made modern editions of several Sgambati works, the Third is revealed as a powerful symphonic statement in five movements and three parts - in this regard, if in few others, resembling Mahler's Fifth, and taking marriage for it's programmatic theme. There is a nobility of utterance to the Third which makes a striking contrast with the blood and thunder of the G minor Piano Concerto, as well as with the intricately worked counterpoint of the Nonet for strings and the two Piano Quintets. Sgambati was agile in both mind and technique, adapting his idiom to his genres. Any listener hungry for out-of-the-way Romantic rarities will find rich rewards in this new, super-budget collection. In previous Fanfare magazine reviews, it was noted that 'Gaia Federica Caporiccio plays with a winsome freshness.' 'Caramiello's performance is more ruminative, less frenetic... this is highly recommended.' In reviewing the chamber music: 'I find Brilliant's newer recording much more to my liking.'\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758971966\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":48075918475490,"sku":"293270977","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529711-3673879.jpg?v=1784665630"},{"product_id":"pre-order-riccardo-mussato-jongen-une-rapsodie-creative-cd","title":"Pre-Order: Riccardo Mussato - Jongen: Une Rapsodie Creative [CD]","description":"\u003cp\u003eBelgian composer Joseph Jongen (1873-1953) occupies an important place in early twentieth-century European music. Born in Liege, he demonstrated exceptional musical talent from a young age and studied at the Royal Conservatory of Liege, where he excelled in composition, organ, and piano. Jongen was deeply influenced by the French musical tradition, particularly the harmonic language of Cesar Franck, Gabriel Faure, and Claude Debussy, while retaining a distinctive personal voice. Jongen's piano works reveal a composer of remarkable craftsmanship and lyrical imagination. Rather than pursuing the dramatic intensity associated with late Romantic virtuosity, he favored elegance, clarity, and expressive subtlety. His music often combines flowing melodic lines with rich yet transparent harmonic textures, creating an atmosphere of warmth and sophistication. Impressionistic harmonic colors frequently appear, though they are balanced by classical formal structures and careful contrapuntal writing.Rhythmically, Jongen's piano compositions display flexibility and natural phrasing, avoiding excessive complexity while maintaining a refined sense of momentum. His writing is idiomatic for the instrument, demonstrating an intimate understanding of the piano's expressive possibilities without relying on technical display for it's own sake. Many of his works evoke poetic imagery through delicate textures, nuanced dynamics, and refined pedaling.Riccardo Mussato, born in Italy in 1998, graduated with highest honours in Piano Performance at the Conservatoire of Turin, where he also obtained a Master cum laude and special mention. After some masterclasses in France, he completed a Master at the Conservatoire Royal of Bruxelles with Distinction and he is ending a Master's degree program in Musicology at the University of Bologna.Particularly interested in French music, para-religious music, Italian music of 20th and 21st century, Mozart's opera, and Wagnerian drama, he maintains an active concert and outreach career, particularly through interdisciplinary lecture-recitals connecting music with the humanities.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758103787\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Piano Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Piano Classics","offers":[{"title":"Default Title","offer_id":48075919851746,"sku":"293270251","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529804-3673873.jpg?v=1784665609"},{"product_id":"pre-order-giulio-tampalini-giuliani-guitar-concertos-cd","title":"Pre-Order: Giulio Tampalini - Giuliani: Guitar Concertos [CD]","description":"\u003cp\u003eMauro Giuliani (1781-1828) was a contemporary of Schubert and one of the many Italian guitar virtuosos who had to flee his own country to get noticed. He ended up in Vienna frequently playing in the fashionable salons and contributing to the guitar becoming all the rage there.As a composer he mainly wrote for his own use: around 200 pieces in all. Many of his works are still popular today, and belong to the standard guitar repertoire.'Composer, or rather translator of beauty'. This is how Giuliani described himself in a letter to Anton Diabelli on 24 January 1824, and it contains all the poetry and aesthetics of his music, which is quintessentially beautiful, charming, melodious and witty.This important new recording presents Giuliani's two guitar concertos and the Variations on the favourite Cavatina 'Deh! Calma, oh ciel!' (from La donna del lago by Rossini) for Guitar and String Quartet.The two concertos and the Rossini variations offer a vivid portrait of Mauro Giuliani as both performer and composer. They show him as a virtuoso elevating the guitar to the rank of a true concert instrument, capable of standing alongside the orchestra, and as a refined chamber musician in dialogue with strings and with the operatic tradition that dominated the imagination of his time.Played by one of the leading guitarists of our time, Giulio Tampalini and the Orchestra da Camera 'Ferruccio Busoni', conducted by Massimo Belli. Tampalini recorded extensively for Brilliant Classics, including works by Llobet, Tarrega, Paganini, Matiegka, Legnani, Rodrigo and Respighi.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758965972\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":48075920310498,"sku":"293227363","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529710-3673878.jpg?v=1784665618"},{"product_id":"pre-order-nicolas-worms-lenquete-lp","title":"Pre-Order: Nicolas Worms - L'enquete [LP]","description":"\u003cp\u003eThe music of composer and pianist Nicolas Worms (born in 1993 in Paris) is a space where contradictory times and places converge. He develops the concept of 'music-fiction', as in the series FLOT, released by Alpha Classics in 2024. This new album arose from the \"\"simple yet dizzying need to summon the unknown within me. What can I draw from my heritage and my keyboards?' says Worms. With four of them - the grand piano, the CP-70 electric piano, the Prophet-V analogue synthesiser and the modular system - he embarks on a grand investigation and uses his instruments as 'pieces of evidence'. L'Enquete comprises four parts and a coda. Some pieces are written in the style of a toccata or a nocturne. Others are improvised, more melodic, and others still more abstract as in any investigation, it is a matter of changing perspective, retracing one's steps, and allowing oneself to be surprised.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3701624512746\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Alpha\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Alpha","offers":[{"title":"Default Title","offer_id":48075920408802,"sku":"293287627","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529688-3673845.jpg?v=1784665718"},{"product_id":"pre-order-antonio-mercurio-hidden-voices-20th-century-italian-works-for-cd","title":"Pre-Order: Antonio Mercurio - Hidden Voices - 20th Century Italian Works For [CD]","description":"\u003cp\u003eThe double bass, the largest and lowest-pitched instrument of the string family, has a rich and evolving history. It's origins date back to the 15th and 16th centuries, when early bass instruments like the violone were used in European music. Unlike the violin family, the double bass developed with influences from both the viol and violin families, which explains it's varied shapes and tuning systems. By the 18th century, it became a standard member of the orchestra, providing depth and harmonic foundation. Over time, makers refined it's design, increasing it's size and improving it's sound projection.This enterprising program presents works for double bass from 20th century Italy, ranging from double bass solo, duos with violin and duos with piano. Composers include Giuseppe Marangoni, Giovanni de Capua, Virgilio Mortari, Lucia Berio and Vito Mercurio. The guide through this fascinating journey is Antonio Mercurio, with his musical partners Mihaela Costea and Alice Baccalini.Antonio Mercurio held principal double bass positions at the Filarmonica Arturo Toscanini in Parma, the L. Cherubini Orchestra under Riccardo Muti, he is regularly invited as principal by orchestras like the Orchestra Accademia di Santa Cecilia, Balthasar Neumann Orchestra, Teatro San Carlo, and Royal Northern Sinfonia and Filarmonica della Scala.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758974929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":48075920572642,"sku":"293270775","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4529712-3673880.jpg?v=1784665718"},{"product_id":"pre-order-viibra-softenings-for-7-flutes-lp","title":"Pre-Order: Viibra - Softenings For 7 Flutes [LP]","description":"\u003cp\u003eSoftenings for 7 Flutes (2024) is a work by Niels Lyhne Løkkegaard, commissioned and premiered by the Icelandic flute ensemble viibra. Here, he explores softening as a means of destabilising categorisation and boundary-making, proposing the flute body and the human body not as separate entities, but as wobbly bodies in a continuous state of osmosis.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 747313258024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dacapo\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Dacapo","offers":[{"title":"Default Title","offer_id":48075920703714,"sku":"282447294","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4528244-3668449.jpg?v=1784600384"},{"product_id":"pre-order-daan-vandewalle-frederik-rzewski-ein-mensch-cd","title":"Pre-Order: Daan Vandewalle - Frederik Rzewski Ein Mensch [CD]","description":"\u003cp\u003eFrederic Rzewski - A MenschThe title of this album refers to the Yiddish word Mensch: literally 'a human being,' but in everyday use someone who acts with integrity, awareness and responsibility. For Frederic Rzewski, the term carried exactly this meaning. A Mensch is not a perfect person, but someone who remains fully human-capable of doubt, contradiction and critical thought, and resistant to becoming passive within larger societal systems. This idea runs quietly but consistently through his work. The pieces brought together here span more than sixty years, from the early 1950s to the last decade of his life, forming a kind of timeline across his career. The musical language changes, sometimes radically, but the underlying concerns remain strikingly constant. Rzewski's music engages with literature, politics and history, often through concrete situations-prison, injustice, personal crisis-but never in an abstract or detached way. The question is always how individuals relate to these forces, and whether they can remain human within them. In that sense, the ethical dimension of the Yiddish Mensch is not just a title, but something that can be heard throughout the programme. Taken as a whole, this recording traces a composer who never gave up on the idea that music can carry meaning beyond itself. 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Centered around Jheronimus Vinders' magnificent Missa Fit porta Christi pervia, the programme weaves together plainsong, Renaissance polyphony, traditional Dutch Christmas songs and organ music to evoke the rich soundscape of a sixteenth-century Christmas liturgy. As the final volume in Cappella Pratensis' acclaimed Den Bosch Choirbooks series, this recording brings centuries-old musical treasures from one of Europe's most important surviving choirbook collections vividly back to life through historically informed performance and meticulous scholarship.Adding to the recording's extraordinary authenticity is the use of the Van Straten organ at Amsterdam's Orgelpark an exact reconstruction of the celebrated 1479 organ from Utrecht's Nicolaikerk, whose sound world closely reflects that of the late Middle Ages. Combined with the ensemble's immersive performance practice, singing directly from original choirbook notation, the result is an inspiring musical journey that transports the listener into the splendour, devotion and ceremonial grandeur of an imperial Christmas more than 480 years ago. The ensemble regularly has received a Diapason d'Or, the Prix Choc, and for the last three CDs, three consecutive Gramophone Editor's Choice's. 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While Nikolai Medtner (1880-1951) is best known for the cycle of piano sonatas which assure his stature as one of the great pianist-composers of the 20th century, his musical inspiration was hardly confined to expression through his own instrument. Brilliant Classics have already issued a magnificent cycle of Medtner's complete songs, which cover the course of the composer's long career from his Russian childhood to his exile and retirement in London from 1936. Medtner's wife Anna was a violinist, and he seems to have had her in mind when writing his music for violin and piano. Premiered in 1911, the First Sonata was inspired by the figure of Dionysus, Greek god of revelry. Thus the sonata concludes with a wild 'Dithyramb' which works a tango rhythm into the texture. From 1925, the Second Sonata bears the subtitle 'Spring' less in homage to Beethoven's example than to a poem by Fyodor Tyutchev. This is one of Medtner's most overtly 'Russian' works with it's folky spirit and evocations of balalaikas. The third, last and longest of the sonatas was composed in 1938, once Medtner had settled in London. We may hear in it the mingled relief and sadness at the turbulent state of his homeland, and his distance from it. Born in Naples in 1988, Fabrizio Falasca is Assistant Leader of the Philharmonia Orchestra in London, regularly playing with the world's great conductors of our day, but he also pursues a busy solo career of his own, as both a recitalist and a recording artist. This survey of Medtner marks his third album for Brilliant Classics, following well-received collections of Viotti and Busoni: 'Fluent, musical and well-recorded performances' (MusicWeb International). His partner on this occasion is the pianist Antonio Pompa-Baldi, who is renowned in his own right as a specialist in super-virtuoso piano music and neglected composers of the late-Romantic era. He is a regular guest at the Rarities of Piano Music Festival in Husum, Germany and a professor of piano at the Cleveland Institute of Music. His own extensive catalogue of recordings includes collections of solo music by Grieg and Hummel as well as concertos and chamber-music collaborations such as this one with his fellow Italian, Fabrizio Falasca. Together, violinist and pianist tap into the elusive but deep feelings flowing beneath the complex surface of Medtner's ambitious forms and grand narratives. 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