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The album Patterns from Nature is an unashamedly ambitious showcase for his remarkable abilities as a composer and orchestrator, working within the space where the heartfelt collaborative improvisation of jazz meets the adventurous rigor of contemporary music and the depth and complexity of conceptual art. As composer, Nachoff created the closely written, intricately detailed scores for a pair of large-ensemble pieces. As bandleader, he oversaw the realisation of those scores by a hand-picked team of remarkable genre-crossing musicians, including pianist Matt Mitchell, percussionist Satoshi Takeishi, bassist Carlo de Rosa, clarinetist Francois Houle, trombonist Ryan Keberle, and the internationally renowned Molinari String Quartet, supported by a large chamber ensemble conducted by JC Sanford. As interdisciplinary collaborator, he worked with physicist Dr. Stephen Morris, whose research into emergent patterns in nature informed the project's structural concepts, and four filmmakers -Tina de Groot, Lee Hutzulak, Gita Blak, and Udo Prinsen - originally conceived alongside them for a multimedia version of the work, resulting in the titular Patterns from Nature suite of four contrasting movements that engage the listener at every level.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePatterns from Nature: I. Branches\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: II. Flow\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: III. Cracks\u003c\/li\u003e\n\u003cli\u003ePatterns from Nature: IV. 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Here, he sits and plays in an old circuswagon on Thorup Mark, gazing over the rolling hills and becoming absorbed in an old booklet of folk tunes by the locallegend, fiddler Peter Madsen (1865-1900). One autumn day, he tries out the old dance tunes on his trumpet while lookingout across the landscape. The tunes turn into hymns, and it feels as if an old soul is reborn floating across the warm, hillyland, a landscape that writes it's own silent music on the horizon every day. Composer and trumpeter Jakob Buchanan was recently honored as Jazz Composer of the Year 2024 at the Danish MusicAwards for the album Song \u0026amp; Wind, featuring the Aarhus Jazz Orchestra, Copenhagen Boys' Choir, late percussionistMarilyn Mazur, and conductor Carsten Seyer-Hansen (OUR Recordings). https:\/\/www. Buchanan. dk\/Swedish bassist Anders Jormin is one of the world's most distinguished jazz bassists. He has received numerous awardsand honors, including the rare Jan Johansson Prize, the Swedish Radio Guldkatten Award, and The Royal Swedish Academyof Music's Grand Prize. His solo album Alone became a cult classic and was named Record of the Year in all categoriesworldwide in 1991. #https:\/\/ecmrecords. #com\/artists\/anders-jormin\/New York legend Chris Speed is a tenor saxophonist, clarinetist, and composer. His work spans widely rooted in jazz, yetextending into various forms of folk, classical, and rock music. Speed is associated with a wide range of ensembles and hasbeen a prominent and influential voice in jazz and improvised music for over three decades. #https:\/\/www. #chrisspeed. com\/Pianist and composer Simon Toldam is one of Scandinavia's most exciting and acclaimed musicians. He has released 17albums, five of which have won Danish Music Awards, including Orchestra of the Year 2021 and Best Album 2019. 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In 2013, John Speight wrote his Soliloquy (track 7 and 8) at my request. Two more recent commissions are on the album, both from composers who play the violin: Fragile Stillness by Lilja Maria asmundsdottir and Aria by Maria Huld Markan. Iceland has a long tradition of violin playing and according to folklore every farmer in certain valleys up north was a fiddler. Ea Fantasia (track 4), my own composition, is inspired by the opening track Alia Fantasia by Nicola Matteis Jr. He was the London-born son of the Italian composer Nicola Matteis, who wrote Ayers and Grounds. Nicola Junior was a violinist like his father and lived in Vienna, where he composed numerous ballets for the imperial opera. His bariolage (arpeggios over four strings) remind me of the opening of Fratres by Arvo Part and Bach's Chaconne-key works in the violin repertoire-both of which have been a great inspiration to me. In Fragile Stillness (track 2), Lilja Maria asmundsdottir experiments with textures. Or as she puts it: \"The piece is inspired by a weather condition called froststillur. It is characterized by an intense calmness where there is no wind and a crisp, frozen atmosphere.Karolina wrote Meditation (track 3) in 1996 for violinist Hlif Sigurjonsdottir, who premiered the piece in June 1997. Meditation is in one movement, built on ideas which change and develop, and the composer describes it as \"variations without a theme.Aria (track 5) by Maria Huld Markan was written for me in 2023. Her solo piece is written under the influence of Maria Callas and her romanticism and lontano as she sings Puccini. Maria is reflecting on the concept of the genius, and motifs are flowing from all the fountains contemplating the romantic violin repertoire. On his Adagio (track 6), composer Tryggvi Baldvinsson writes: \"This small Adagio can be seen as a short play in which three distinct characters appear. Each has it's own traits, it's own personality. The encounter between these characters is bound to have a profound and lasting impact on them. As for the actual course of events, I leave that entirely to the listener's imagination. The piece was composed for Rut Ingolfsdottir, who premiered it in 1997.John Speight is an English-Icelandic singer and composer I got to know through working with the Reykjavik Chamber Orchestra, playing and recording his works. He wrote Soliloquy (track 7 and 8) in 2012 and it is the only piece on the album in two movements. The first movement is slow and thoughtful, while the second is crazy and furious. Tranquility (track 10) by Sveinn Ludvik Bjornsson is possibly the shortest piece I have ever played. The story of it is longer than the piece itself-and too good to omit. Sveinn Ludvik, who is visually impaired, was renting a studio in an old banana storage in Brautarholt, Reykjavik. To enter his studio he had to walk through the studio of artist Helgi Valgeirsson. Above the door there was a painting by Helgi which inspired Sveinn Ludvik deeply; he had the sense it was very somber in it's mood-a naked woman with her back turned. Moved by the scene he wrote Tranquility. Later, when discussing the piece with Helgi and admiring the tragic impact of the naked woman in the picture, Sveinn was shocked to discover that the painting, in fact, was of bananas and oranges.Veronique Vaka Jacques, a Canadian-Icelandic composer and trained classical cellist, grounds her work in the geology and topography of Iceland. In Ofdune (track 9), a map of North Iceland serves as groundwork, with the geographical details of a descending river abstractly translated into the work's time progression, using the river's path through hills and valleys as a loose blueprint. This concept of descent is echoed in the title, Ofdune, which is derived from the Old English meaning \"downwards\" or \"off the hill\".Jon Nordal's Hvert orstutt spor (Each Tiny Step, track 11) is from the play Silfurtunglid by Icelandic Nobel Prize-winning author Halldor Laxness. This is a famous Icelandic song, here in my gospel music influenced arrangement for solo violin. 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Emotion Factory Reset captures a band that continues to evolve while staying rooted in the heavy metal foundation they helped build in the early '80s. The result is an album that feels both classic and forward-moving-driven by sharp songwriting, dynamic arrangements, and the unmistakable voice of John Bush leading the charge.Tracks like \"Close to the Bone,\" \"Every Man-Any Man,\" and \"Hit a Moonshot\" showcase everything that makes Armored Saint essential: powerful riffs, groove-driven rhythms, and a willingness to push beyond traditional metal boundaries. There's a confidence here-honed over decades-that allows the band to experiment without ever losing their identity.Produced by bassist Joey Vera and brought to life by a top-tier production team, Emotion Factory Reset delivers a modern, punchy sound while preserving the grit and authenticity longtime fans expect. 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The show closes with \"American Metal, \" a song that would go on to become the most frequently performed track of Lizzy Borden's career-and the perfect anthem to end a live set built on volume, spectacle, and conviction.This Boone's Overstock Webstore Exclusive edition presents The Murderess Metal Road Show in it's most collectible vinyl form to date. Pressed as a 2-LP deluxe gatefold, this version is limited to just 200 copies worldwide on Red \u0026amp; Blue \"American Metal\" vinyl and includes an exclusive 8.5 x 11 set list insert featuring a printed Lizzy Borden autograph, making it the most premium version of the release.The audio has been mastered for vinyl by Rob Colwell (Helstar, Voivod, Lizzy Borden, Starwood), delivering power, clarity, and punch while preserving the raw live atmosphere. 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