{"title":"Genre: Classical Vocal Crossover","description":null,"products":[{"product_id":"pre-order-andrew-yiangou-alkan-le-petit-concert-cd","title":"Andrew Yiangou - Alkan: Le Petit Concert [CD]","description":"\u003cp\u003eOn April 29, 1844 in Paris's Salle Erard, Charles-Valentin Alkan returned to the platform after an absence of six years. Bach, Scarlatti, Beethoven and Weber featured, as well as four of Alkan's latest compositions. Two of these appear on Andrew Yiangou's remarkable recital - the Op.22 Nocturne and the Op.23 E minor Saltarelle. The centre piece in the program is the misleadingly titled Sonatina in A minor, Op.61. This is a large-scale sonata of huge technical challenges. Busoni claimed that Alkan was, along with Chopin, Liszt, Schumann and Brahms was one of the five greatest composers for the piano since Beethoven. Alkan certainly discovered unheard of sonorities imbued with a disturbing power, and a preoccupation with the darker shades of human experience. Andrew Yiangou's program is a fascinating view into the musical world of one of the most enigmatic composers of the 19th century.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5065002228956\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rubicon\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.10.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Rubicon","offers":[{"title":"Default Title","offer_id":46906785628386,"sku":"60320","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4447326-3423025.jpg?v=1759970292"},{"product_id":"pre-order-driver-danny-bach-goldberg-variations-bwv-988-cd","title":"Driver, Danny - Bach: Goldberg Variations Bwv 988 [CD]","description":"\u003cp\u003eAcclaimed British pianist Danny Driver makes his first recording for Onyx with this one of the peaks of keyboard repertoire, Bach's Goldberg Variations. Published in 1741, masterpiece forms the fourth and final part of his clavierübung (keyboard exercise) cycle. It is one of Bach's greatest achievements and is a technical and interpretive challenge to performers.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Aria\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. I. a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. II. a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. III. Canone all'Unisono a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. IV. a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. V. a 1 ovvero 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. VI. Canone alla Seconda a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. VII. a 1 ovvero 2 claviere, al tempo di Giga\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. VIII. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. IX. Canone alla Terza a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. X. Fughetta a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XI. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XII. Canone alla Quarta a 1 clavier (in moto contrario)\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XIII. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XIV. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XV. Canone alla Quinta a 1 clavier (Andante)\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XVI. Ouverture a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XVII. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XVIII. Canone alla Sesta a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XIX. a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XX. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXI. Canone alla Settima a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXII. Alla breve a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXIII. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXIX. Canone all'Ottava a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXV. a 2 claviere (Adagio)\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXVI. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXVII. Canone alla Nona a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXVIII. a 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXIX. a 1 ovvero 2 claviere\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Var. XXX. Quodlibet a 1 clavier\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988~Aria da capo\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880040426028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Onyx Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.10.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Onyx Classics","offers":[{"title":"Default Title","offer_id":46906787004642,"sku":"444662","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4447471-3424193.jpg?v=1759970303"},{"product_id":"pre-order-royal-liverpool-philharmonic-orchestra-holst-butterworth-shropshire-lad-cd","title":"Royal Liverpool Philharmonic Orchestra - Holst \u0026 Butterworth: Shropshire Lad [CD]","description":"\u003cp\u003eGeorge Butterworth, one of the pre 1914 generation lost in the Great War, left a small but enduring body of work. He was introduced to folk music by Vaughan Williams, but he was also a dancer and collector of folk songs and dances - especially those from Sussex. It is however his A.E Houseman inspired orchestral rhapsody, A Shropshire Lad, that has become his most famous composition and seems to conjure up a powerful sense of the countryside of that county, and melancholy at the waste and futility of war. Holst, like Butterworth was a friend of Vaughan Williams, and together the two of them collected folk songs from around England. Holst also taught at the school for girls in Hammersmith, London and the St Paul Suite is a personal thank you to the school. Folk songs imbue the two Songs without Words. Holst became friendly with Thomas Hardy, and it was on a night walk (at the urging of Hardy) that the inspiration for Egdon Heath came to Holst. The 15-minute-long work capture the 'singularly colossal and mysterious in it's swarthy monotony' as Hardy described the area of moorland in his novel The Return of the Native. The high trumpet at the close of the work is surely sounding from post war sad shires.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShropshire Lad Rhapsody for Orchestra\u003c\/li\u003e\n\u003cli\u003eBanks of Green Willow Idyll\u003c\/li\u003e\n\u003cli\u003eTwo English Idylls Founded on folk-tunes~No. 1 Allegro scherzando\u003c\/li\u003e\n\u003cli\u003eTwo English Idylls Founded on folk-tunes~No. 2 Adagio non troppo\u003c\/li\u003e\n\u003cli\u003eEgdon Heath Op. 47, A Homage to Thomas Hardy\u003c\/li\u003e\n\u003cli\u003eTwo Songs without Words Op. 22~No. 1 Country Song\u003c\/li\u003e\n\u003cli\u003eTwo Songs without Words Op. 22~No. 2 Marching Song\u003c\/li\u003e\n\u003cli\u003eFugal Concerto Op. 40 No. 2~I. Moderato\u003c\/li\u003e\n\u003cli\u003eFugal Concerto Op. 40 No. 2~II. Adagio\u003c\/li\u003e\n\u003cli\u003eFugal Concerto Op. 40 No. 2~III. Allegro\u003c\/li\u003e\n\u003cli\u003eSt Paul's Suite Op. 29 No. 2~I. Jig: Vivace\u003c\/li\u003e\n\u003cli\u003eSt Paul's Suite Op. 29 No. 2~II. Ostinato\u003c\/li\u003e\n\u003cli\u003eSt Paul's Suite Op. 29 No. 2~III. Intermezzo: Andante con moto\u003c\/li\u003e\n\u003cli\u003eSt Paul's Suite Op. 29 No. 2~IV. Finale (The Dargason): Allegro\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880040425823\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Onyx Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.10.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Onyx Classics","offers":[{"title":"Default Title","offer_id":46906787791074,"sku":"610587","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4447323-3423058.jpg?v=1759970317"},{"product_id":"pre-order-andreas-scholl-legendary-harmonia-mundi-recitals-limited-edition-reissue","title":"Andreas Scholl - Legendary Harmonia Mundi Recitals [Limited Edition] [Reissue]","description":"\u003cp\u003e30 years ago, a young German countertenor recorded his first disc for harmonia mundi. Since then, Andreas Scholl has been unfailingly successful. To celebrate this outstanding artist, a box set combining six of his iconic recitals retraces the main points of his career to date. From Dowland to Handel, here is the glorious testimony of a singer at the summit of his art.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJetztund kömpt die Nacht herbey\u003c\/li\u003e\n\u003cli\u003eAch Liebste, laß uns eilen\u003c\/li\u003e\n\u003cli\u003eTurpe senex mites, turpe senilis amor\u003c\/li\u003e\n\u003cli\u003eVeneris miseras resonare querelas\u003c\/li\u003e\n\u003cli\u003ePraeludium ; Chaconne VIII für Cembalo \/ pour clavecin\u003c\/li\u003e\n\u003cli\u003eLiebesgluth verkehrt den Muth\u003c\/li\u003e\n\u003cli\u003eIhr bleibet nicht Bestand verpflicht\u003c\/li\u003e\n\u003cli\u003eLiebe Macht herrscht Tag und Nacht\u003c\/li\u003e\n\u003cli\u003eRheinsche Wein\u003c\/li\u003e\n\u003cli\u003eSonata a doi, violine a viola da Gamba, opera seconda (Nürnberg, 1693)\u003c\/li\u003e\n\u003cli\u003eCecrops~Schmilz, hartes Herz\u003c\/li\u003e\n\u003cli\u003eFlora~Verliebtes Weinen und lachen\u003c\/li\u003e\n\u003cli\u003eFlora~Die Heißverliebte\u003c\/li\u003e\n\u003cli\u003eProcris~An die Einsamkeit\u003c\/li\u003e\n\u003cli\u003eCecrops~Die holde Nacht\u003c\/li\u003e\n\u003cli\u003eKunst des Küssens\u003c\/li\u003e\n\u003cli\u003eMenuetto con variazioni di Locatelli für Laute\u003c\/li\u003e\n\u003cli\u003eNacht\u003c\/li\u003e\n\u003cli\u003eAn den Schlaf\u003c\/li\u003e\n\u003cli\u003eBehold a wonder here\u003c\/li\u003e\n\u003cli\u003eMe, me and none but me\u003c\/li\u003e\n\u003cli\u003eAll ye, whom Love or Fortune hath betray'd\u003c\/li\u003e\n\u003cli\u003eLady Russell's pavan (for lute)\u003c\/li\u003e\n\u003cli\u003eThree Ravens\u003c\/li\u003e\n\u003cli\u003eWaly, waly\u003c\/li\u003e\n\u003cli\u003eKing Henry\u003c\/li\u003e\n\u003cli\u003eKemp's jigg (for lute)\u003c\/li\u003e\n\u003cli\u003eMy sweetest Lesbia\u003c\/li\u003e\n\u003cli\u003eI care not for these Ladies\u003c\/li\u003e\n\u003cli\u003eMy love hath vow'd\u003c\/li\u003e\n\u003cli\u003eI saw my lady weep\u003c\/li\u003e\n\u003cli\u003eFlow, my tears\u003c\/li\u003e\n\u003cli\u003eSorrow, stay\u003c\/li\u003e\n\u003cli\u003eSay, Love, if ever thou didst find\u003c\/li\u003e\n\u003cli\u003eCan she excuse my wrongs?\u003c\/li\u003e\n\u003cli\u003eGo from my window\u003c\/li\u003e\n\u003cli\u003eGo from my window (for lute)\u003c\/li\u003e\n\u003cli\u003eI will give my love an apple\u003c\/li\u003e\n\u003cli\u003eBarbara Allen\u003c\/li\u003e\n\u003cli\u003eLord Rendall\u003c\/li\u003e\n\u003cli\u003eO Jesu, nomen dulce, SWV 308\u003c\/li\u003e\n\u003cli\u003eAch, Herr, lass deine lieben Engelein\u003c\/li\u003e\n\u003cli\u003eLamento \"Ach, daß ich Wassers g'nug hätte\"\u003c\/li\u003e\n\u003cli\u003eSalve mi Jesu\u003c\/li\u003e\n\u003cli\u003eSonata Quinta a quattro, viole da gamba o come piace aus \"La Cetra\", 167\u003c\/li\u003e\n\u003cli\u003ePresto - Presto - Adagio - Presto\u003c\/li\u003e\n\u003cli\u003eFried- und freudenreiche Hinfahrt, BuxWV 76 Klag-Lied \"Muß der Tod denn auch entbinden\"\u003c\/li\u003e\n\u003cli\u003eWer sich dem Himmel übergeben\u003c\/li\u003e\n\u003cli\u003eHerzlich lieb hab ich dich, o Herr, SWV 348\u003c\/li\u003e\n\u003cli\u003eJubilate Domino\u003c\/li\u003e\n\u003cli\u003eSonata IV for violin and basso continuo in C minor\u003c\/li\u003e\n\u003cli\u003eWas hast du verwirket, SWV 307\u003c\/li\u003e\n\u003cli\u003eAdmeto, Rè di Tessaglia (Londres, 1727)~Ouverture\u003c\/li\u003e\n\u003cli\u003eAdmeto, Rè di Tessaglia (Londres, 1727)~Ballo di Larve\u003c\/li\u003e\n\u003cli\u003eAdmeto, Rè di Tessaglia (Londres, 1727)~Recitativo accompagnato. Orride larve\u003c\/li\u003e\n\u003cli\u003eAdmeto, Rè di Tessaglia (Londres, 1727)~Aria. Chiudetevi, miei lumi (Atto I, scena 1)\u003c\/li\u003e\n\u003cli\u003eSerse (Londres, 1738)~Sinfonia\u003c\/li\u003e\n\u003cli\u003eSerse (Londres, 1738)~Recitativo. Frondi tenere\u003c\/li\u003e\n\u003cli\u003eSerse (Londres, 1738)~Aria. Ombra mai fù (Atto I, scena 1)\u003c\/li\u003e\n\u003cli\u003eGiulio Cesare in Egitto (Londres, 1724)~Aria. Se in fiorito ameno prato (Atto II, scena 2)\u003c\/li\u003e\n\u003cli\u003eGiulio Cesare in Egitto (Londres, 1724)~Gigue\u003c\/li\u003e\n\u003cli\u003eGiulio Cesare in Egitto (Londres, 1724)~Aria. Va tacito (Atto I, scena 9)\u003c\/li\u003e\n\u003cli\u003eRadamisto, instrumental suite (Londres, 1720)~Passacaille\u003c\/li\u003e\n\u003cli\u003eRadamisto, instrumental suite (Londres, 1720)~Gigue\u003c\/li\u003e\n\u003cli\u003eRadamisto, instrumental suite (Londres, 1720)~Passepied\u003c\/li\u003e\n\u003cli\u003eRadamisto, instrumental suite (Londres, 1720)~Rigaudon\u003c\/li\u003e\n\u003cli\u003eRodelinda, Regina de Langobardi (Londres, 1725)~Sinfonia - Recitativo. Pompe vane di morte\u003c\/li\u003e\n\u003cli\u003eRodelinda, Regina de Langobardi (Londres, 1725)~Aria. Dove sei (Atto I, scena 6)\u003c\/li\u003e\n\u003cli\u003eRodelinda, Regina de Langobardi (Londres, 1725)~Sinfonia\u003c\/li\u003e\n\u003cli\u003eRodelinda, Regina de Langobardi (Londres, 1725)~Accompagnato. Sì, l'infida consorte\u003c\/li\u003e\n\u003cli\u003eRodelinda, Regina de Langobardi (Londres, 1725)~Aria. Confusa si miri (Atto I, scena 11)\u003c\/li\u003e\n\u003cli\u003eAlcina (Londres, 1735)~Aria. Verdi prati (Atto II, scena 1)\u003c\/li\u003e\n\u003cli\u003eAlexander's Feast, concerto grosso (Londres, 1736)~Allegro\u003c\/li\u003e\n\u003cli\u003eAlexander's Feast, concerto grosso (Londres, 1736)~Largo\u003c\/li\u003e\n\u003cli\u003eAlexander's Feast, concerto grosso (Londres, 1736)~Allegro\u003c\/li\u003e\n\u003cli\u003eAlexander's Feast, concerto grosso (Londres, 1736)~Andante non presto\u003c\/li\u003e\n\u003cli\u003eAmarilli vezzosa (Il duello amoroso) HWV 82 soprano, alto, 2 violins ; basso continuo~Sonata (Allegro. Menuetto)\u003c\/li\u003e\n\u003cli\u003eAmarilli vezzosa (Il duello amoroso) HWV 82 soprano, alto, 2 violins ; basso continuo~Recitativo. Amarilli vezzosa \/ Aria. Pieto\u003c\/li\u003e\n\u003cli\u003eAmarilli vezzosa (Il duello amoroso) HWV 82 soprano, alto, 2 violins ; basso continuo~Recitativo. Dunque tanto s'avanza \/ Aria.\u003c\/li\u003e\n\u003cli\u003eAmarilli vezzosa (Il duello amoroso) HWV 82 soprano, alto, 2 violins ; basso continuo~Recitativo. Sì, sì, crudel, ti accheta \/\u003c\/li\u003e\n\u003cli\u003eAmarilli vezzosa (Il duello amoroso) HWV 82 soprano, alto, 2 violins ; basso continuo~Recitativo. Amarilli, Amarilli \/ Aria. E v\u003c\/li\u003e\n\u003cli\u003eAmarilli vezzosa (Il duello amoroso) HWV 82 soprano, alto, 2 violins ; basso continuo~Recitativo. Or su, giacché ostinato \/ Ari\u003c\/li\u003e\n\u003cli\u003eNel dolce tempo HWV 135b alto ; basso continuo~Recitativo. Nel dolce tempo, in cui ritorna a noi \/ Aria. Pastorella, coi bei lum\u003c\/li\u003e\n\u003cli\u003eNel dolce tempo HWV 135b alto ; basso continuo~Recitativo. Di pallido color \/ Aria. Senti, di te, ben mio, cantar\u003c\/li\u003e\n\u003cli\u003eVedendo Amor HWV 175 alto ; basso continuo~Recitativo. Vedendo Amor che per me \/ Aria. In un folto bosco ombroso\u003c\/li\u003e\n\u003cli\u003eVedendo Amor HWV 175 alto ; basso continuo~Recitativo. In quel bosco sen venne cheto \/ Aria. Camminando lei pian piano\u003c\/li\u003e\n\u003cli\u003eVedendo Amor HWV 175 alto ; basso continuo~Recitativo. Caricò, scaricò subito amore \/ Aria. Rise Eurilla, rise Amore \/ Recitat\u003c\/li\u003e\n\u003cli\u003eTrio Sonata Op. 2 No. 1 in B minor for flute, violin ; basso continuo~I. Andante\u003c\/li\u003e\n\u003cli\u003eTrio Sonata Op. 2 No. 1 in B minor for flute, violin ; basso continuo~II. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003eTrio Sonata Op. 2 No. 1 in B minor for flute, violin ; basso continuo~III. Largo\u003c\/li\u003e\n\u003cli\u003eTrio Sonata Op. 2 No. 1 in B minor for flute, violin ; basso continuo~IV. Allegro\u003c\/li\u003e\n\u003cli\u003eMi palpita il cor HWV 132c for alto, flauto obligato ; basso continuo~Recitativo ed Arioso. Mi palpita il cor\u003c\/li\u003e\n\u003cli\u003eMi palpita il cor HWV 132c for alto, flauto obligato ; basso continuo~Recitativo. Tormento e gelosia \/ Aria. Ho tanti affanni in\u003c\/li\u003e\n\u003cli\u003eMi palpita il cor HWV 132c for alto, flauto obligato ; basso continuo~Recitativo. Clori, di te mi lagno \/ Aria. 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(Jealousy!), Philippe Jaroussky's latest project with the instrumentalists of Artaserse, takes it's dramatic name from two solo cantatas receiving world premiere recordings. Programmed beside cantatas by Vivaldi, Handel and Alessandro Scarlatti, they are by the Neapolitan Nicola Porpora (1686-1768) and the Venetian Baldassare Galuppi (1706-1785). Though composed some 35 years apart, both cantatas set the same text, 'La Gelosia', written by the prolific Pietro Metastasio. \"The cantata da camera or secular cantata, was an incredibly popular genre in the 18th century,\" explains Philippe Jaroussky. \"Written for a solo singer, it often portrays a man or woman going through the torments of love and depicts the character's various states of mind... Cantatas of this kind served, I believe, as a kind of personal diary for composers. 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Andante E Pianissimo. \"A Voi Dunque Ricorro, Orridi Specchi\"\u003c\/li\u003e\n\u003cli\u003eCessate, Omai Cessate, RV 684: IV. Allegro. \"Nell'orrido Albergo, Ricetto Di Pene\"\u003c\/li\u003e\n\u003cli\u003ePerdono, Amata Nice \"La Gelosia\": I. Allegro\u003c\/li\u003e\n\u003cli\u003ePerdono, Amata Nice \"La Gelosia\": II. Adagio - Recitativo. \"Perdono, Amata Nice\"\u003c\/li\u003e\n\u003cli\u003ePerdono, Amata Nice \"La Gelosia\": III. Lento - Aria. \"Bei Labbri, Che Amore Formò Per Suo Nido\"\u003c\/li\u003e\n\u003cli\u003ePerdono, Amata Nice \"La Gelosia\": V. Recitativo - Con Spirito. \"Son Reo Non Mi Difendo\"\u003c\/li\u003e\n\u003cli\u003ePerdono, Amata Nice \"La Gelosia\": VI. Aria. \"Giura Il Nocchier, Che Al Mare\"\u003c\/li\u003e\n\u003cli\u003eMi Palpita Il Cor, HWV 132C: I. Recitativo. \"Mi Palpita Il Cor\"\u003c\/li\u003e\n\u003cli\u003eMi Palpita Il Cor, HWV 132C: II. Arioso. \"Agitata E L'alma Mia\"\u003c\/li\u003e\n\u003cli\u003eMi Palpita Il Cor, HWV 132C: III. Recitativo. \"Tormento E Gelosia\"\u003c\/li\u003e\n\u003cli\u003eMi Palpita Il Cor, HWV 132C: IV. Aria. \"Ho Tanti Affetti in Petto\"\u003c\/li\u003e\n\u003cli\u003eMi Palpita Il Cor, HWV 132C: V. Recitativo. \"Clori, Di Te Mi Lagno\"\u003c\/li\u003e\n\u003cli\u003eMi Palpita Il Cor, HWV 132C: VI. Aria. \"Se Un DI M'adora la Mia Crudele\"\u003c\/li\u003e\n\u003cli\u003eLa Gelosia: I. Tempo Giusto - Recitativo. \"Perdono Amata Nice\"\u003c\/li\u003e\n\u003cli\u003eLa Gelosia: II. Andantino - Aria. \"Bei Labbri, Che Amore Formò Per Suo Nido\"\u003c\/li\u003e\n\u003cli\u003eLa Gelosia: III. Recitativo. \"Son Reo, Non Mi Difendo\"\u003c\/li\u003e\n\u003cli\u003eLa Gelosia: IV. 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Soprano Suzanne Jerosme, Jörg Halubek and Il Gusto Barocco bring several of their works back to life, preserved since the early 1700s in the holdings of the Austrian National Library. 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The album contains a representative collection of his most famous film music including The Good, the Bad and the Ugly, Once Upon a Time in the West, A Fistful of Dynamite, Once Upon a Time in America, Cinema Paradiso, The Untouchables and many more.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Strength of the Righteous (From \"The Untouchables\")\u003c\/li\u003e\n\u003cli\u003eDeborah's Theme (From\"Once upon a Time in America\")\u003c\/li\u003e\n\u003cli\u003eThe Legend of the Pianist (From \"The Legend of 1900\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (From \"H2s\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"The Sicilian Clan\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"Love Circle\")\u003c\/li\u003e\n\u003cli\u003eUno che grida amore (from \"Love Circle\")\u003c\/li\u003e\n\u003cli\u003eCome Maddalena (from \"Maddalena\")\u003c\/li\u003e\n\u003cli\u003eCockeye's Song (from \"Once Upon a Time in America\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"The Good, The Bad And The Ugly\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"Once Upon A Time In The West\")\u003c\/li\u003e\n\u003cli\u003eDuck You Sucker (from \" Fistful of Dynamite\")\u003c\/li\u003e\n\u003cli\u003eThe Ecstacy Of Gold (from \"The Good, The Bad And The Ugly\")\u003c\/li\u003e\n\u003cli\u003eSuite (From \"Canone Iverso\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"Investigation Of A Citizen Above Suspicion\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"According to Pereira\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"The Working Class Goes to Heaven\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"Casualties Of War\")\u003c\/li\u003e\n\u003cli\u003eAbolisson (from \"Burn!\")\u003c\/li\u003e\n\u003cli\u003eHere's to You (from \"Here's to You\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"The Desert of the Tartars\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"The Life and Death of King Richard III\")\u003c\/li\u003e\n\u003cli\u003eIl Deserto come Poesia della Fine (from \"The Desert of the Tartars\")\u003c\/li\u003e\n\u003cli\u003eCompilation (from \"The Mission\")\u003c\/li\u003e\n\u003cli\u003eMain Theme (from \"Cinema Paradiso\") [Reprise]\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 0880242110275\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Euroarts\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Euroarts","offers":[{"title":"Default Title","offer_id":46916572709090,"sku":"168368","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4430897-3398566.jpg?v=1760300939"},{"product_id":"pre-order-andre-previn-lso-orff-carmina-burana-lp","title":"Andre Previn  \/ Lso - Orff: Carmina Burana [LP]","description":"\u003cp\u003eAndré Previn's landmark 1974 recording of Carmina burana with the London Symphony Orchestra remains one of the most electrifying accounts of Orff's exuberant cantata. From the momentous opening \"O Fortuna\" to the rapturous closing chorus, Previn brings out the rhythmic vitality, sensuality, and theatrical flair of this hedonistic celebration of life and love. Captured in the acoustically rich Kingsway Hall and produced by Christopher Bishop, this recording delivers an immediacy and spontaneity that have stood the test of time. 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By Richard Strauss)\u003c\/li\u003e\n\u003cli\u003eRigutto: Douce Valse\u003c\/li\u003e\n\u003cli\u003eBach: Sonata in a Major, WQ. 65\/32, H.135 II. Andante Con Tenerezza\u003c\/li\u003e\n\u003cli\u003eChopin: Mazurkas, Op. 68 No. 4, in F minor\u003c\/li\u003e\n\u003cli\u003eGluck: Melodie (Orpheo Ed Euridice) (Transc. 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His first solo cello concerto and, formally speaking, a concerto cast in four movements - each movement takes an essential aspect of township life: ancestors, children, faith and community. Selaocoe positions himself as chief storyteller, combining cello improvising with lyrics in the Southern Sotho and Zulu languages.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFour Spirits (Orch. Woodgates): I. Masebego [Live]\u003c\/li\u003e\n\u003cli\u003eFour Spirits (Orch. Woodgates): II. Bana [Live]\u003c\/li\u003e\n\u003cli\u003eFour Spirits (Orch. Woodgates): III. Tshepo [Live]\u003c\/li\u003e\n\u003cli\u003eFour Spirits (Orch. Woodgates): IV. (A) Simunye. Uthando [Live]\u003c\/li\u003e\n\u003cli\u003eFour Spirits (Orch. Woodgates): IV. (B) Simunye. 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Composed amidst a move from Warsaw to the Baltic coast, surrounded by the ocean's horizon and dense forestry, the album reflects curiously on what lies beyond and embracing the unknown. It is an ode to the courage to grow through uncertainty. The music unfolds as a journey of emotional phases, a narrative arc from the internal introspective questioning of \"Monologue,\" to a sonic leap into motion with the rhythmic propulsion of \"Blue\", and the cyclical farewell in \"Goodbye\". Known for her atmospheric, emotionally rich compositions, Czocher has expanded her sound world, while holding true to her classical roots. She uses percussive cello techniques, Moog synthesizers, non-analog electronics, and her own voice instrumentally and without lyrics, creating a texture of expression. 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Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: 5 Lieder, Op. 105: No. 2, Immer Leiser Wird Mein Schlummer (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: Zigeunerlieder, Op. 103: No. 11, Rote Abendwolken Ziehn (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: 5 Lieder, Op. 107: No. 5, Mädchenlied (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: 4 Gesänge, Op. 70: No. 2, Lerchengesang (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: 5 Lieder, Op. 94: No. 4, Sapphische Ode (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: Zigeunerlieder, Op. 103: No. 6, Röslein Dreie in Der Reihe (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: Zigeunerlieder, Op. 103: No. 7, Kommt Dir Manchmal in Den Sinn (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: 5 Lieder, Op. 107: No. 3, Das Mädchen Spricht (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: 5 Lieder, Op. 106: No. 4, Meine Lieder (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eBrahms: 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eWagner: Wesendonck-Lieder, WWV 91: No. 1, Der Engel (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eWagner: Wesendonck-Lieder, WWV 91: No. 4, Schmerzen (Arr. for Clarinet and Piano By R. Sévère)\u003c\/li\u003e\n\u003cli\u003eWagner: Wesendonck-Lieder, WWV 91: No. 5, Träume (Arr. for Clarinet and Piano By R. 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Lentement\u003c\/li\u003e\n\u003cli\u003eEnescu: String Octet in C Major, Op. 7 (Version for String Orchestra): Un Peu Moins Vite\u003c\/li\u003e\n\u003cli\u003eEnescu: String Octet in C Major, Op. 7 (Version for String Orchestra): IV. 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Allegro\u003c\/li\u003e\n\u003cli\u003eBach: Concerto for Oboe and Violin in C Minor, BWV 1060R: II. Adagio\u003c\/li\u003e\n\u003cli\u003eBach: Concerto for Oboe and Violin in C Minor, BWV 1060R: III. Allegro\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3149020954348\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Harmonia Mundi\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.17.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Harmonia Mundi","offers":[{"title":"Default Title","offer_id":46916642439394,"sku":"1833528","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4451155-3435738.jpg?v=1760301880"},{"product_id":"pre-order-gil-shaham-premieres-cd","title":"Gil Shaham - Premieres [CD]","description":"\u003cp\u003ePerforming three concertos written specifically for him, renowned violinist Gil Shaham is joined by acclaimed conductor Leon Botstein and The Orchestra Now (TON), Bard College's graduate orchestral masters. Scott Wheeler's \"Birds of America\" (Violin Concerto No.2) was premiered by Shaham, Botstein, and TON at the Fisher Center at Bard and Carnegie Hall in 2021. The birds making appearances in the concerto include a hawk, a whippoorwill, loons, a mourning dove, and a downy woodpecker. Winner of the 2018 Azrieli Prize for Jewish Music, Avner Dorman's \"Nigunim\" (Violin Concerto No.2) was originally commissioned as Sonata No.3 for violin and piano by New York's 92nd Street Y, Gil, and his sister, pianist Orli Shaham. Gil premiered the orchestrated version that appears on this album with CityMusic Cleveland, conducted by Dorman, in 2014. The main melodic gestures of the piece are drawn from common elements found in Jewish music from around the world. Chinese-American composer Bright Sheng's violin concerto \"Let Fly\" had it's premiere in 2013 with Shaham and the Detroit Symphony Orchestra, led by legendary conductor Leonard Slatkin. The title of the work was inspired by an aural image of the violin melody flying off into the air.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWheeler: Birds of America Quietly Soaring\u003c\/li\u003e\n\u003cli\u003eWheeler: Birds of America Adagietto\u003c\/li\u003e\n\u003cli\u003eWheeler: Birds of America Allegro vivo\u003c\/li\u003e\n\u003cli\u003eDorman: Nigunim (Violin Concerto No.2)\u003c\/li\u003e\n\u003cli\u003eDorman: Nigunim (Violin Concerto No.2) I. Adagio Religioso\u003c\/li\u003e\n\u003cli\u003eDorman: Nigunim (Violin Concerto No.2) II. Scherzo\u003c\/li\u003e\n\u003cli\u003eDorman: Nigunim (Violin Concerto No.2) III. Adagio\u003c\/li\u003e\n\u003cli\u003eDorman: Nigunim (Violin Concerto No.2) IV. Presto\u003c\/li\u003e\n\u003cli\u003eSheng: Let Fly\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060133300175\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Canary Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Canary Classics","offers":[{"title":"Default Title","offer_id":46916648173794,"sku":"679852","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4440436-3413680.jpg?v=1760301969"},{"product_id":"pre-order-fazil-say-mozart-requiem-say-mozart-mevlana-cd","title":"Fazil Say - Mozart: Requiem - Say: Mozart \u0026 Mevlana [CD]","description":"\u003cp\u003eWorld premiere recording. Mozart's magnificent setting of the Requiem Mass needs no introduction. One of his last works and a landmark of choral music, it is paired on this album with a new and complementary work by the pianist and composer Fazil Say: Mozart ve Mevlana, an homage to Mozart's Requiem, based on the texts of 13th-century mystic Mevlana Rumi. Introducing Mozart ve Mevlana, Fazil Say says: \"Mevlana is a great philosopher from the Eastern world - the Orient. I'm from Turkey. I thought: 'Why not unite East and West in love and friendship through texts from the great philosopher Mevlana and quotations from the music of a composer of genius like Mozart in a fluid musical space?... I play all Mozart's works for piano and I have recorded them all. So Mozart plays a very special role in my life... Mozart's music is the music of humanity. Likewise, Mevlana's words unite people regardless of their religion or belief.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: I. Introitus. Requiem æternam\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: II. Kyrie\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: III. Dies iræ\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: IV. Tuba mirum\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: V. Rex tremendae\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: VI. Recordare\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: VII. Confutatis\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: VIII. Lacrimosa\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: IX. Domine Jesu\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: X. Hostias\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: XI. Sanctus\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: XII. Benedictus\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: XIII. Agnus Dei\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: XIV. Lux æterna\u003c\/li\u003e\n\u003cli\u003eRequiem in D Minor, K. 626: XV. Cum sanctis tuis\u003c\/li\u003e\n\u003cli\u003eMozart ; Mevlana, Op. 110: I. Yine gel\u003c\/li\u003e\n\u003cli\u003eMozart ; Mevlana, Op. 110: II. Yedi ögüt\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732754721\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner Classics","offers":[{"title":"Default Title","offer_id":46916651188450,"sku":"815262","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0533\/0298\/4864\/files\/4448481-3428973.jpg?v=1760302016"},{"product_id":"pre-order-pahud-emmanuel-flute-concertos-cd","title":"Pahud, Emmanuel - Flute Concertos [CD]","description":"\u003cp\u003eRECORDINGS FROM 1996-2021. A flautist with contagious enthusiasm, tirelessly exploring the repertoire of his instrument, Emmanuel Pahud offers here a formidable anthology of the flute concerto - a musical genre celebrating it's three centuries of existence today. And the story is not over, his exceptional talent continually inspiring composers around the world.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFlute Concerto in F Major, Op. 10 No. 1, RV 433 \"La Tempesta Di Mare\": I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in F Major, Op. 10 No. 1, RV 433 \"La Tempesta Di Mare\": II. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in F Major, Op. 10 No. 1, RV 433 \"La Tempesta Di Mare\": III. Presto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G minor, Op. 10 No. 2, RV 439 \"La Notte\": I. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G minor, Op. 10 No. 2, RV 439 \"La Notte\": II. Fantasmi. Presto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G minor, Op. 10 No. 2, RV 439 \"La Notte\": III. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G minor, Op. 10 No. 2, RV 439 \"La Notte\": IV. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G minor, Op. 10 No. 2, RV 439 \"La Notte\": V. Il Sonno. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G minor, Op. 10 No. 2, RV 439 \"La Notte\": VI. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, Op. 10 No. 3, RV 428 \"Il Gardellino\": I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, Op. 10 No. 3, RV 428 \"Il Gardellino\": II. Cantabile\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, Op. 10 No. 3, RV 428 \"Il Gardellino\": III. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, Op. 10 No. 4, RV 435: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, Op. 10 No. 4, RV 435: II. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, Op. 10 No. 4, RV 435: III. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in F Major, Op. 10 No. 5, RV 434: I. Allegro Ma Non Tanto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in F Major, Op. 10 No. 5, RV 434: II. Largo E Cantabile\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in F Major, Op. 10 No. 5, RV 434: III. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, Op. 10 No. 6, RV 437: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, Op. 10 No. 6, RV 437: II. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, Op. 10 No. 6, RV 437: III. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Minor, RV 440: I. Allegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Minor, RV 440: II. Larghetto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Minor, RV 440: III. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, RV 429: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, RV 429: II. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, RV 429: III. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, TWV 51:G2: I. Andante\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, TWV 51:G2: II. Vivace\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, TWV 51:G2: III. Adagio\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, TWV 51:G2: IV. Allegro\u003c\/li\u003e\n\u003cli\u003eTafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in a Major, TWV 53:A2: I. Largo\u003c\/li\u003e\n\u003cli\u003eTafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in a Major, TWV 53:A2: II. Allegro\u003c\/li\u003e\n\u003cli\u003eTafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in a Major, TWV 53:A2: III. Gratioso\u003c\/li\u003e\n\u003cli\u003eTafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in a Major, TWV 53:A2: IV. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for 2 Flutes and Violone in a Minor, TWV 53:A1: I. Lentement\u003c\/li\u003e\n\u003cli\u003eConcerto for 2 Flutes and Violone in a Minor, TWV 53:A1: II. -\u003c\/li\u003e\n\u003cli\u003eConcerto for 2 Flutes and Violone in a Minor, TWV 53:A1: III. Loure\u003c\/li\u003e\n\u003cli\u003eConcerto for 2 Flutes and Violone in a Minor, TWV 53:A1: IV. -\u003c\/li\u003e\n\u003cli\u003eConcerto for Flute, Oboe D'amore and Viola D'amore in E Major, TWV 53:E1: I. Andante\u003c\/li\u003e\n\u003cli\u003eConcerto for Flute, Oboe D'amore and Viola D'amore in E Major, TWV 53:E1: II. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Flute, Oboe D'amore and Viola D'amore in E Major, TWV 53:E1: III. Siciliano\u003c\/li\u003e\n\u003cli\u003eConcerto for Flute, Oboe D'amore and Viola D'amore in E Major, TWV 53:E1: IV. Vivace\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, TWV 51:D2: I. Moderato\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, TWV 51:D2: II. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, TWV 51:D2: III. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, TWV 51:D2: IV. Vivace\u003c\/li\u003e\n\u003cli\u003eBrandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro\u003c\/li\u003e\n\u003cli\u003eBrandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso\u003c\/li\u003e\n\u003cli\u003eBrandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro\u003c\/li\u003e\n\u003cli\u003eOrchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture\u003c\/li\u003e\n\u003cli\u003eOrchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau\u003c\/li\u003e\n\u003cli\u003eOrchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande\u003c\/li\u003e\n\u003cli\u003eOrchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrées I ; II\u003c\/li\u003e\n\u003cli\u003eOrchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise ; Double\u003c\/li\u003e\n\u003cli\u003eOrchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet\u003c\/li\u003e\n\u003cli\u003eOrchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Minor, WQ. 166: I. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Minor, WQ. 166: II. Andante\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Minor, WQ. 166: III. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, WQ. 169: I. Allegro Di Molto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, WQ. 169: II. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, WQ. 169: III. Presto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D minor: I. Allegro (After Harpsichord Concerto, WQ. 22)\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D minor: II. Un Poco Andante (After Harpsichord Concerto, WQ. 22)\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D minor: III. Allegro Di Molto (After Harpsichord Concerto, WQ. 22)\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Major, WQ. 168: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Major, WQ. 168: II. Largo Con Sordini, Mesto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in a Major, WQ. 168: III. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in E minor, L 2.4: I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in E minor, L 2.4: II. Adagio Un Poco Andante\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in E minor, L 2.4: III. Presto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 3: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 3: II. Grave\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 3: III. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, QV5:174: I. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, QV5:174: II. Arioso E Mesto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, QV5:174: III. Presto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 7 in E minor: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 7 in E minor: II. Adagio\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 7 in E minor: III. Rondo [Allegretto]\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in D minor: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in D minor: II. Adagio\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in D minor: III. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, Op. 4: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major: II. Adagio Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in G Major, Op. 4: III. Presto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in C Major, B. 106: I. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in C Major, B. 106: II. Adagio\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in C Major, B. 106: III. Rondo [Allegro Molto]\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in B minor: III. Rondo\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 2 in F Major: I. Allegro\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 2 in F Mayor: II. Adagio\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 2 in F Major: III. (A) Minuetto Con Variazioni\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 2 in F Major: III. (B) Variation I\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 2 in F Major: III. (C) Variation II\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 2 in F Major: III. (D) Variation III\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 2 in F Major: III. (E) Variation IV\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 2 in F Major: III. (F) Variation V\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante in B-Flat Major, Op. 41: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante in B-Flat Major, Op. 41: II. Larghetto\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante in B-Flat Major, Op. 41: III. Polonaise (Allegretto)\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 5 in F Major, B. 115: I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 5 in F Major, B. 115: II. Tempo Di Minuetto. Grazioso (Attacca)\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante No. 5 in F Major, B. 115: III. Presto\u003c\/li\u003e\n\u003cli\u003eConcerto for Flute and Harp in C Major, K. 299: I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Flute and Harp in C Major, K. 299: II. Andantino\u003c\/li\u003e\n\u003cli\u003eConcerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in G Major, K. 313: I. Allegro Maestoso\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in G Major, K. 313: II. Adagio Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in G Major, K. 313: III. Rondo. Tempo Di Menuetto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 2 in D Major, K. 314: I. Allegro Aperto\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 2 in D Major, K. 314: II. Andante Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 2 in D Major, K. 314: III. Rondo. Allegro\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante in E-Flat Major, K. 297B: I. Allegro\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante in E-Flat Major, K. 297B: II. Adagio\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante in E-Flat Major, K. 297B: III. Andantino Con Variazioni: (A) Thema. Andantino\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante in E-Flat Major, K. 297B: III. 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A laureate of numerous international competitions and already a veteran of concert halls worldwide, Lucilla Rose has been celebrated for her performances at iconic venues including the Royal Albert Hall, Sydney Opera House and Carnegie Hall, as well as performing for King Charles at Highgrove. Lumière du Temps features intimate works from the Belle Époque era, including pieces by Elgar, D'Ambrosio, Rachmaninov, Debussy and Boulanger. 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Danse Hongroise\u003c\/li\u003e\n\u003cli\u003eElgar: Romance for Violin and Piano, Op. 1\u003c\/li\u003e\n\u003cli\u003eDebussy: Valse romantique\u003c\/li\u003e\n\u003cli\u003eBoulanger: Deux Morceaux: I. Nocturne\u003c\/li\u003e\n\u003cli\u003eBoulanger: Deux Morceaux: II. 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Accompanied by the talented musician and arranger Johan Daalgard, as well as a host of instrumental collaborators, she celebrates the Celtic world in a refined style on violin and cello. 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