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While Kline's musical taste at the time was leaning toward aughts indie rock she'd loved as a teenager, keyboardist Lauren Martin and drummer Luke Pyenson cite \"droning, meditation, repetition, clarity and intentionality,\" as well as \"'70s folk and pop\" as a reference for how they approached their parts. Bassist\/guitarist Alex Bailey says that at the time he referred to it as their \"ambient\" or \"psych\" album. Somewhere between those textural elements and Kline's penchant for concise pop, Inner World Peace finds it's balance. The first order of business upon setting up camp in Brooklyn's Figure 8 studios was to project giant colorful slides the band had made for each track. Co-producing with Nate Mendelsohn, my Shitty Hits Recording partner, we aimed for FC's aesthetic idiosyncrasies to shine. The mood board for \"Magnetic Personality\" has a neon green and black checkerboard, a screen capture of the game Street Fighter with \"K.O.\" in fat red letters, and a cover of Mad Magazine that says \"Spy Vs. Spy! The Top Secret Files.\" On tracks like \"F.O.O.F.\" (Freak Out On Friday), \"Fragments\" and \"Aftershook,\" the group are at their most psychedelic and playful, interjecting fuzz solos, bits of percussion, and other sonically adventurous ear candy. An internal logic strengthens everything, and in their proggiest moments, Frankie Cosmos are simply a one-take band who don't miss. When on Inner World Peace they sound wildly, freshly different, it may just be that they're coming deeper into their own.Inner World Peace excels in passing on the emotions it holds. When in the towering \"Empty Head\" Kline sings of wanting to let thoughts slide away, her voice is buoyed on a bed of synths and harmonium as tranquility abounds. 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